Rainer

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心灵之地第三季
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Amulti-generationalsagasetinAlberta,Canadaandcenteredonafamilygettingthroughlifetogetherinbothhappyandtryingtimes.
心灵之地第二季
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Amulti-generationalsagasetinAlberta,Canadaandcenteredonafamilygettingthroughlifetogetherinbothhappyandtryingtimes.
大雪海的凯纳
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随着「雪海」不断扩张,大地几近消失的异世界——人们在巨木「轨道树」的根部和顶部延展出的「天膜」上勉强过着日子。在天膜的少年卡纳与地面的少女莉莉哈相遇之际,改变这即将毁灭的世界的故事就此拉开了帷幕——本作由广受世界各国好评的漫画家贰瓶勉,以及将贰瓶勉的作品高质量动画化的Polygon Pictures联合打造。连载漫画由《兽之奏者》的作画武本系会执笔,电视动画则是由安藤裕章(代表作:《LISTENERS 聆听者》《亚人》)担任导演,描绘了一场宏大的奇幻故事。
心灵之地第六季
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Amulti-generationalsagasetinAlberta,Canadaandcenteredonafamilygettingthroughlifetogetherinbothhappyandtryingtimes.
心灵之地第五季
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Amulti-generationalsagasetinAlberta,Canadaandcenteredonafamilygettingthroughlifetogetherinbothhappyandtryingtimes.
养老院
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Condamnéàuntravaild’intérêtgénéral,unjeunehommeestintégréàunemaisonderetraite.
乐高DC超级英雄:正义联盟之宇宙冲击
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Can the Justice League prevail against an unstoppable intergalactic machine with the power to bend time itself! Until now, the Justice League has triumphed over every foe who has challenged them. This time, they face Brainiac, a super-intelligent invulnerable machine whose mad quest endangers all life in the galaxy. When Brainiac zaps Superman, Wonder Woman and Green Lantern to different places in time, the race is on for Batman and The Flash to re-assemble the Justice League!
玛夫卡:真实神话
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Mavkaisadangerousnymphoftheforestlakethatlurepeopleintoitsdepthsforthemermaidstofeedontheirenergy.WhenshemeetsLukian,abiologywhizz,Mavkafallsinlovedisruptingthenaturalorder.
爱是盲目
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Afunnyandirresistiblestoryofayounggirlwholiterallycannotseeorhearhermother,despitelivingunderthesameroof.Withthehelpofaneccentricyoungpsychiatrist,(BenjaminWalker:TheChoice),andalocalaccidentalhero,ourheroine(ShannonTarbet:Beast)fallsinloveandeventuallytakesholdofherfuture-despitenotseeingwhat’sinfrontofher!Aheart-warmingstoryofloveandself-discoverystarringAidanTurner(Poldark),Chlo?Sevigny(AmericanHorrorStory)andMatthewBroderick(FerrisBueller’sDayoff)
最后的列车
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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