APRO
搜索"APRO" ，找到 以下影视作品
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由加拿大和印度合拍的影片《寻子记》，讲述了以修理拉锁为生的主人公莫亨德拉，在得知在外工作的12岁儿子西达尔特失踪后，凭借着一点点线索开始横跨整个印度寻找儿子的故事。虽然西达尔特一直音讯全无，但一家人仍一边祈祷，一边重拾生活的希望。 本片由加拿大导演瑞奇-梅塔执导，他曾指导的电影《遗产风波》，获得了30多个国际奖项，包括加拿大吉尼奖的最佳电影、最佳导演和最佳编剧提名。本片的制片人史蒂芬-布雷、大卫-米勒也是电影《遗产风波》的制作人。影片还邀请了亚洲著名影星坦尼沙-查特里作为女主角，她在《砖块街》(2007)中的精彩表演，获得了英国独立电影奖最佳女主角提名，赢得2007年孟加拉电影记者协会最佳女演员奖项。该片由Poor Man’s Production出品。
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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AhighschoolEnglishteachergoestodisturbinglengthstoprotecthisfavoritestudentsfrombullies.
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服部光則
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ThebeautifulShizukaHimanokihasbeensavingherselfforaboyshemettwelveyearsago.Theymadeapromisebackthen,andshe’sdeterminedtokeepit.Butwhenshefinallytrackshimdown,shecatcheshimintheactwithanotherwoman.Wherecananineteen-year-oldvirginturnforsolace?
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劳埃德·培根
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Scion of the once-rich Mitchell family, Herbert Wynn is found shot to death. Nurse Adams, bored by hospital routine, is recruited by the police to ferret out clues as she tends to Wynn's elderly aunt Julia. Jokingly given the 'rank' of Miss Pinkerson, after the famous detective agency, Adams probes into the mystery, but not before a second death.
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Acelebrationofthenaturalwonderandpowerofnatureinourbackyard.Fromiconicplacestosecretgems,thisserieswillopenthegatewaysforalltoexplorethebreadthofthebeautyandtranquility.TheaudiencewillexperienceNorthAmerica’snaturalwonderswithitsiconicwildlifeasyouhaveneverseenthembefore.Strongstorytellinglettheaudiencediscoverthefascinatinginteractionsinwildhabitatstheythoughttheywerefamiliarwith.TheseriesisproducedbyWildstarFilmsforNationalGeographic.ExecutiveproducingalongsideBrooksareAnwarMamonandDanReesforWildstar,andDrewJonesforNationalGeographic.MylesConnollyandBenWallisserveasseriesproducers.Episodesinclude…GrandCanyonYosemiteBigBendBadlandsHawai'iVolcanoes
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约翰·卡朋特
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畅销恐怖小说作家萨特·凯恩（尤尔根·普洛斯诺JürgenProchnow饰）离奇失踪。由他撰写即将出版印刷的一部分小说手稿也随之神秘消失。凯恩身临其境的描写和大胆前瞻的预测，让此书还未出版就享有盛誉。很多粉丝如痴如醉的陷入他的作品之中不能自拔，甚至做出失去理性的暴力行为。为了不耽误出版，出版商找来私家侦探约翰·特伦特（山姆·尼尔SamNeill饰）和女编辑琳达·斯泰尔斯（朱莉·卡门JulieCarmen饰）一起追查凯恩的下落。约翰起初并不相信此书的魔力，然而当他和琳达到达凯恩笔下所写的小镇的时候，两人都震惊了。这个小镇真的如同凯恩所描绘的一样，而小说里恐怖诡异的事情也旋即发生。
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CreatedbyEmmyAward-winningProducerDickWolf,Law&Order:SpecialVictimsUnitnowinits21stseason,makestelevisionhistoryasthelongest-runningprimetimelive-actionseriesofalltime.Thishard-hittingandemotionalseriesfromNBCsLaw&OrderbrandchroniclesthelivesoftheSpecialVictimsUnitoftheNewYorkCityPoliceDepartment,anelitesquadofdetectiveswhoinvestigatecrimesofsexualassault,childabuseanddomesticviolence.
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何志良
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《大耳窿》（The Loan Shark）是由Wayang Tinggi Produksi、CMG Worldwide联合呈献的电影。 [1] 内容以高利贷为主，主要讲述非法放贷活动的运作过程、放贷情况，甚至还深入详谈大耳窿集团的职位之分，以及环绕在借放贷者之间恩怨的真实情况。所谓“大耳窿”，是放高利贷者的俗称。大耳窿”的由来──原来开埠初，香港洋人印（度）人大集会，而放贵利的多数是“白头摩罗”，那些“摩罗差”戴白头巾，所以人人都称他们做“白头摩罗”。白头摩罗扮相古怪，爱戴一只大如铜元的耳环，所以耳朵要穿个耳洞，耳垂吃重下垂使耳洞看起来很大，港人觉得可憎，就有人将这耳洞和债务的无底洞联想到一起，而创出“大耳窿”的叫法。不过，另有一说，当时放贵利，都系放小额款项如三几毫纸畀劳苦大众，为使人们知道他们有钱借，就将一个银元塞进耳的耳窿，作为记号，令人认得。15年前，阿龙（李璨琛饰）父因母亲珊姐（吕珊饰）烂赌向大耳窿借还债，导致意外车祸死亡，因此阿龙及妹妹雯雯（吴俐璇饰）非常痛恨母亲，但阿龙为雯雯之生计及保护家人，投靠天神（林雪饰）阿窿集团，开始他的阿窿生涯。 阿龙鼓励雯雯考警察部队，但因阿龙的职业背景，令雯雯承受压力，导致兄妹俩感情破裂，最后雯雯更离开警察学院。 一天，一个自称是专门铲除大耳窿集团的特别行动组找上阿龙，要他以卧底身份收集天神犯罪证据，以消灭放高利贷活动。正当阿龙努力搜寻天神罪证时，妹雯也加入天神的集团，还为了争上位靠拢处处与他为难的黑狗（张兆辉）身边。 黑狗是天神的养子，一直深受天神重视，然而自从阿龙的加入，令他有感地位不保，一直视阿龙为敌，他与天神都不知道雯就是龙的妹妹，还爱上雯。而黑狗身边已有一个欣（温碧霞饰），后者的父亲原是欠债者，欣为了救父及顾母，只好接近黑狗，但是雯的出现，也令欣感到自己地位受威胁。 欣觉得雯的出现绝不是偶然，因此怀疑对方的真正身份，她劝黑狗别太信任对方，但黑狗不信，为了找出证据，黑狗设了个陷阱试探雯，没想到雯真的中计，在千钧一发时刻，知道妹身处险境的龙却出现……新片《大耳窿》的剧情主要讲述了近年来火热的非法放贷活动的运作过程、放贷情况，甚至还深入详谈大耳窿集团的职位之分，以及环绕在借放贷者之间恩怨的真实情况。演员阵容包括马、中、港三地的演员，其中两名男主角由李灿森和张兆辉饰演，而女主角则由温碧霞担任，有二男一女的感情纠缠情节。其他演员包括林雪，大马帮的黎明姨、国际华裔小姐季军美姐Jojo吴俐璇和来自中国上海的女艺人戴筱轶等。由李灿森饰演的阿龙，是一个有良知的高利贷，而张兆辉饰演的黑狗，则是一个专门向赌徒放贷的大耳窿。而温碧霞饰演的女主角，原本与李灿森为一对相爱的情侣，但因为要替继父还债，所以被逼当张兆辉的女人。在剧中，温碧霞还有一火辣镜头，即是她和男主角张兆辉在冲凉房造爱的大胆镜头。曾凭《枪火》提名金马奖最佳男配角的林雪则饰演天神，是地下阿窿的天皇级人马。
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恩斯特·刘别谦
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Haunted by the memory of Walter Holderlin, a soldier he killed during World War I, French musician Paul Renard (Phillips Holmes) confesses to a priest (Frank Sheridan), who grants him absolution. Using the address on a letter he found on the dead man's body, Paul then travels to Germany to find his family. As anti-French sentiment continues to permeate Germany, Dr. Holderlin (Lionel Barrymore) initially refuses to welcome Paul into his home, but changes his mind when his son's fiancée Elsa identifies him as the man who has been leaving flowers on Walter's grave. Rather than reveal the real connection between them, Paul tells the Holderlin family he was a friend of their son, who attended the same musical conservatory he did. Although the hostile townspeople and local gossips disapprove, the Holderlins befriend Paul, who finds himself falling in love with Elsa (Nancy Carroll). When she shows Paul her former fiancé's bedroom, he becomes distraught and tells her the truth. She convinces him not to confess to Walter's parents, who have embraced him as their second son, and Paul agrees to forego easing his conscience and stays with his adopted family. Dr. Holderlin presents Walter's violin to Paul, who plays it while Elsa accompanies him on the piano. The film's original title, The Man I Killed, was changed to The Fifth Commandment to avoid giving wrong impressions in the minds of the public about the character of the story. It ultimately was released as Broken Lullaby.
