Sigot
搜索"Sigot" ，找到 以下影视作品
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AnexitingphantasmagoricalmystictalesetinclassicalSt.Petersburg.AgirlKsyushaisadoptedintoafamilyofawriterandanartist.Shefinallygotfortunate.Buthavingbeeninacaraccident,thegirlfindsherselfintheDarkCity,wherealongwithhermagicalassistantParamon,shemustovercomeevilwitchcraftandrewindthecityclocktostoptheWitchandherblackarmyfromtakingoverthecity.WillthegirlsucceedinfindingtheTimeKeyandrewindtheclock?Willhappinessreturntohernewfamily?
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斯特凡·施瓦茨
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Allie,Margot,DinaandCharliecontinuetheiradventureonthelam,astheymaketheirwaythroughtheMexicanrainforestandultimatelylandinaseeminglyidylliccommunitycalledCasaRojas,ledbytheresoluteIsela.Whileeachpersongrappleswiththeirownjourneyandacclimatetotheirnewlives“offthegrid,”theysoondiscoverthatCasaRojasbreedsitsowndarksecretsandagenda.
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LucycomplainsthatshedoesnthavenearlyenoughHollywoodsouvenirs,astatementwithwhichRickytakesissue.WhensheandEthelgototheGraumansChineseTheater,theynoticethatJohnWaynesfootprintsareloose,sotheyprythecementblockoutofthegroundandtakeitbacktothehotel.
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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彼得·杰克逊早期作品，这部纪录片以翔实的考察，细致地讲述了一段不为人知的电影史传奇，展现了一位默默无闻的新西兰人在20世纪初期为电影作出的革命性贡献。《被遗忘的电影》（Forgotten Silver）是一部于1995年上映的新西兰纪录片，由彼得·杰克逊和寇斯塔·包提斯共同编剧，彼得·杰克逊担任导演。影片由彼得·杰克逊、伦纳德马丁、山姆·尼尔和Thomas Robins等人主演。《被遗忘的电影》以幽默的方式讲述了一个虚构的新西兰电影制作家科林·麦肯齐（Colin McKenzie）的故事。据片中所述，科林·麦肯齐是新西兰电影史上的一位天才导演和发明家，他在20世纪初创造了许多令人惊叹的电影技术和特效。影片以纪录片的形式展现了科林·麦肯齐的传奇事迹，包括他创造的全息摄影、彩色电影和声音同步技术。然而，随着故事的发展，观众逐渐发现这只是一个精心编织的虚构故事。科林·麦肯齐并不存在，他的作品和成就也是虚构的。《被遗忘的电影》是一部关于电影制作历史的幽默讽刺作品。导演彼得·杰克逊以他独特的风格和幽默感，用纪录片的形式让观众沉浸在一个虚构的世界中。这部影片不仅揭示了电影制作的技术进步和变革，还对电影史和媒体史进行了娱乐性的重构和调侃。彼得·杰克逊以他对细节和视觉效果的关注而闻名，这在《被遗忘的电影》中得到了展现。他创造了逼真的纪录片风格，同时将虚构元素融入其中，以让观众陷入对真实性的混淆和惊讶之中。
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德克兰·德怀尔
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汗青频道宣告8集记载剧「蛮横人突起」（Barbarians Rising）将于6月6日播出,随后该剧还会涌当初寰球185个电视市场。在美国汗青频道,该剧将分附近播完。故事描写罗马帝国的兴衰,然而从蛮横人叛军的视角来叙说。在罗马附近生涯着很多崇尚蛮蛮横力生涯方法的部落,罗马帝国将他们统称为「文化天下之外的蛮横人」,然而这些勇敢的男女经由过程勇敢对抗跟史诗般的战役转变了天下的格式——要么经由过程战役掉掉落自在,要么逝世亡,不第三条路可走。这场战役连续了700年（注：原文如斯,汗青上罗马帝国公元前27年创破,公元395年决裂,公元476年西罗马帝国消亡）,终极捣毁了人类汗青上最壮大的帝国。 详细而言,该节目详细描写了九个汗青有名流物或族群的故事：九岁就发下血誓要消灭罗马帝国的汉尼拔将军（Hannibal）,从仆从到将军并主导蛮横人叛逆的斯巴达克斯（Spartacus）,引导不列颠人对抗罗马帝国侵犯者的凯尔特「兵士女王」布狄卡（Boudica）,日耳曼部族首级!「被偷走的德国之子」阿米尼乌斯（Arminius）,来自西方的匈奴王阿提拉（Attila）,被罗马帝国背离的勇武部落哥特人（Goths）,已经攻入罗马城的西哥特人,曾大北罗马部队但又被罗马驯服的鲁西塔尼亚人,在罗马帝国毁灭之后洗劫罗马城并严峻损坏古文物的日耳曼部落汪达尔人（Vandals）。
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One of our favourite natural history subjects, the good old dinosaur, gets a makeover and then some in this fantastically ambitious and groundbreaking documentary. Based on cutting-edge palaeontology and the latest fossil records, DINOTASIA presents a series of vignettes about dinosaurs - both familiar faces and some we have only found out about in the past ten years. The film uses CGI to bring the stories to life, but draws on animation's birth in silent film and early Disney to create proper, traditional visual storytelling. Werner Herzog narrates, reuniting with the team behind GRIZZLY MAN and CAVE OF FORGOTTEN DREAMS.
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Harvie is a smart but a bit too lively boy with one ambition, to finish the last level of his computer game. Once in the Gamers Hall of Fame, his absent-minded father, would finally be proud of him. But finishing the game turns out to be only the start of a real adventure that takes Harvie, his dog Jerry, and his friend Monica deep into the forgotten realms of the city's old puppet museum.
