Hiles
搜索"Hiles" ，找到 以下影视作品
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迈克·内威尔
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1950年月,美国女性的社会位置名义看来有了显著进步,但是在如威斯理般有名的男子大学里,先生们传授先生,还是所有环绕未来的好姻缘打转,并不勉励她们自动获取本人感兴致的常识,也不重视造就她们的内心本质。俏丽成熟的凯瑟琳（朱莉娅·罗伯茨 Julia Roberts 饰）大学结业,怀揣幻想跟热忱离开该黉舍担 任艺术史先生时,便因想散布自在的种子受阻连连。但是由于幽默!坦白!热忱!广博,凯瑟琳很快博得了先生们的爱好,她的多少个先生,想同男孩一样干出一番奇迹的琼（朱丽娅·斯蒂尔斯 Julia Stiles 饰）!生动好动的丽薇（玛吉·吉伦哈尔 Maggie Gyllenhaal 饰）等,也渐渐地展露出真性格。但是,另一名先生贝蒂（克斯汀·邓斯特 Kirsten Dunst 饰）要完婚的新闻,又将自在浪漫的气氛攻破。
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A comedy about two people with different world-views, from different places, whose fate, with the help from a bull Garonja (a name given to the black bulls in villages of Croatia), intertwine. Ante (Goran Bogdan) is a peasant from Dalmatian hinterland, a son of an bull fights organizer, and skilled insurance salesman. He is known by his powers of persuasion. At the voting for the Law for animal protection, biggest controversy is considering bull fights. Sonja (Judita Frankovic) is from Zagreb, an inveterate activist fighting for animal rights. In Dalmatian hinterland nobody can understand her attitude. They conclude that Sonja, regardless of the declared intense love of animals, would not dare stand in front of a bull. About Sonja and Anthony , the central pair who in his romantic comedy game going a little farther - a little back, a series of actions is carried out in the style of a wild untamed satire at the expense of local yellow media and important institutions such as the ...
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GlennDanzigsdirectorialdebut,isahorroranthologythatcompilesstoriesfromDanzigslineofcomicbooksofthesamename.Storieswhichfocusonhorrorcontentthatsoftensexualandviolentinnature,usuallyfeaturingscantily-cladfemaleprotagonists.
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AyoungfemaleSheriffsDeputyinruralLouisianatakesonhertownsoldmoneyestablishmentwhenthewomansheloves-anattorneyfightingtostoparaildealthatthreatenstodisplacethetownspoor-ismurdered.
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安德鲁·亚当森
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一座储藏着伟大铜矿脉,为烽火洗刷而四散飘荡的寒带岛屿；一名性情怪僻,谢绝追随雄师队流亡的白人先生,在钴蓝色的大陆与天空之间拉开了故事的尾声。 沃茨教师（休·劳瑞 饰）猎奇心兴旺且为人苛刻,在径自清算完校舍的废墟后,他开端天天对孩子们诵读查尔斯·狄更斯的名作「弘远前途」聊以解闷。随同着整天回荡于远山之间的炮火音响,小说中雾都伦敦与奔忙此中的孤儿皮普的影像在十三岁美女玛蒂尔达跟其余孩子的脑海中日渐如令人屏息赞叹的高塔般浮出水面,使他们临时忘记了战役在海岛上投下的暗影。 诚如沃茨所言,”为书所获,即使忘记呼吸也可保持性命。“ 被沃茨与孩子们所鼓励,越来越多的住平易近开端参加到叙说者的行列中。那些被一度忘记的秘密旧事在黑夜中被一直扑灭,从新抖擞往日的光荣。但烽火仍在伸张,这艘名为”故事“的设想之方舟能将为了生活而逐日奔忙追求呵护的人们带向何方,咱们尚不得悉....... By CharlesChou,译自约翰莫瑞出书社2007年Hardcover版书封
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罗布祖姆比
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在第一集恐怖杀戮的六个月后，千尸屋费尔弗莱家族的邪恶行径终于大白天下。在维德尔警长（WilliamForsythe饰）的带领下，警方对千尸屋展开围剿。混战中，鲁夫斯中弹身亡，母亲（LeslieEasterbrook饰）被捕。魔头奥提斯（BillMoseley饰）、贝比（SheriMoonZombie饰）以及他们的父亲斯鲍丁（SidHaig饰）则分路逃脱。在逃的奥提斯等人如同从地狱释放出的恶魔，他们沿路杀戮，血流成河，而维德尔警长则在身后紧追不舍，一场正邪较量裹挟着血雨腥风拉开大幕……本片荣获2005年Fangoria（美国恐怖电影杂志）链锯奖最佳杀手电影奖和地狱亲属奖（BillMoseley&SheriMoonZombie）、2006年Fangoria链锯奖最佳男主角奖（SidHaig）。
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恩佐·巴博尼
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The movie concerns about Trinity(Terence Hill=Mario Girotti)a roguish and cocky gunman with fast weapon who works as bounty hunter.His brother Bambino(Bud Spencer)is sheriff in a village but is also an undercover thief which attempts execute a heist. The'll face off against a rich owner(Farley Granger) and a Mexican marauders who try evict to a Mormons group. They help to the pacific settles and the confrontation will be inevitable but is developed by means of successive fights without blood,neither gore or cruel murders.The violence isn't crude but slight and predominates the comedy and parody. The storyline is embarrassment and ridiculous but has its agreeable moments here and there.It's a spaghetti western with humor and narrates the usual issues:invincible antiheroes,spectacular showdown ,violent taking on but united to slapstick and simple humor.It's an entertained Italian western with adequate runtime where there are irony,tongue in check,shoot outs,numerous struggles and is quite funny and amused. Terence Hill is sympathetic,hilarious and likable; Bud Spencer is rough, two fisted,bouncing ,grumpy man but with good heart,their characters are similar to Stan Laurel and Oliver Hardy.The film is a spoof of famous films as ¨the magnificent seven¨ and ¨blazed saddles ¨but covered with spaghetti.The picture obtained a sequel with the same protagonists and director¨Trinity is still my name¨.Besides originated a series of awful imitations and copies. Rating:nice and bemused.
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Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.
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Oneweekonacruiseship,withparties,funandnewfriendships.Theall-gayclienteleonboardarepreoccupiedwithtopicssuchasidentity,thebodybeautifulandthesearchforsex.Everyeveningisdedicatedtoanewtheme,challengingthepassengerstoevermoreextravagant,body-huggingoutfits.Inthecabinshowever,thetalkismorethanskindeepasthemenopenupabouttheirprivatelives.Marek,ayoungPolishmanjustwantstobeacceptedandlovedasahumanbeingandnotjustbecauseofhistautbody.DipankarfromIndiahasjustrecentlycomeout;heandPalestinianRamziarerevellinginthekindoffreedomtheycanonlydreamaboutintheirhomophobicsocietiesbackhome.MartinisHIVpositiveandpondershedonisticways,whilePhilippefromFranceobservestheproceedingsonboardserenelyfromhiswheelchair.InhisfeaturefilmdebutdirectorFerlandMilewskisucceedsinprovidingalookbehindthescenesofanostensiblysuperficialworld.Hishumorousapproachhelpshimcreateagenuinebondwiththeprotagonistswhotalkopenlyaboutgaydesires,freeloveandgoodold-fashionedmonogamy.
