Sims
搜索"Sims" ，找到 以下影视作品
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西班牙的《我知道你是谁》是根据马德里的一宗真人真事改编而成的作品。当年左翼强硬派在律师行放下炸弹，为了将派系内的温和份子对改革的障碍剔除。杀手Mario没料到那个生日会竟有弱小妇孺，所以爆炸后，小女孩伤痕累累走出灾场，他正义的手从此沾上蒙上眼睛的尘埃。不想看，所以Mario要求自己的脑袋永久损伤，好等自己永远忘记那少女尸体的记忆。可是，有心人精神科医生Paloma对Mario这个个案感到非常有趣，誓要将他锁起的记忆解封。桥段像RobertdeNiro及RobinWilliams的Awakenings，Paloma加重药份，务求在最短时间内将Mario失忆的真相揭开。可惜，药物不能持久，Paloma由怜生爱，希望用自己的身体代替小女孩的尸体。这招比药物的投放更痛苦。Paloma在床上问Mario：「你会记得我吗」镜头一转，Paloma的努力引起暗杀集团的忌讳。结果，真相使Paloma不能接受爱郎是个杀人凶手，同样暗杀集团也不容一个恢复记忆的杀手。回忆是好、是坏导演KeithF.Hatcher没有答案。不过，这出影片原名「真相」倒是我们值得深思的课题，真相需要付代价，不过这个代价需要个人来牺性，抑或由群众来付出，倒是伦理重要的一课。（皮皮/文）
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TheradicalhonestyofthebooksbyyoungadultfictionpioneerJudyBlumechangedthewaymillionsofreadersunderstoodthemselves,theirsexuality,andwhatitmeanttogrowup,butalsoledtocriticalbattlesagainstbookbanningandcensorship.源自：https://festival.sundance.org/program/film/638a1a91d406b20bd7f2d581
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强·基耶斯
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TyreseGibson,JohnMalkovichandMichaelJaiWhitewillstarinRed48,anindieactionthrillerfromYaleProductions.JonKeeyes(TheHarrowing)isdirectingthefeature,whichhasanoriginalscriptbyMickeySolisandiswrappingproductionthisweekinandaroundtheTri-Statearea.GibsonwillplayKyleSnowden,atroubledformerMarineturnedchildprotectiveserviceofficerwhomustsaveanimmigrantchildfromadangerouscriminalwhohastrappedthemandotherhostagesinsideaconveniencestore.Addingmorepowertothekeg:ThestoreisownedbytheSnowden’sstepfather,SamSafty,beingplayedbyMalkovich.WhiteplaysSparks,theSafty’sno-nonsensebodyguardandconfidant.GibsonisalsoproducingtheprojectalongwithKeeyes.JordanYaleLevineandJordanBeckermanareproducingviatheirYaleProductionsbanner.
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Afamilyfindthemselvesterrorizedbytheireight-year-oldson’simaginaryfriend.
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某座阔别多数会的安静小镇,上百年来始终传播着女巫的传说。听说每到春分时辰,女巫便会出来绑架!肢解小友人,并将他们吃掉落以葆芳华。未多少前,一名自称攻破了女巫屋子玻璃的小女孩奥秘掉落,引得小镇平易近气惶遽。阳光亮媚的日子里,爷爷刚逝世的青年扎克（Justin Deeley 饰）约上卡特（Chase Maser 饰）!特蕾西（Jackelyn Gauci 饰）!茱莉（Jess Adams 饰）等挚友,决议去巫女屋玩耍探险。扎克外向的弟弟麦克斯（Devon Werkheiser 饰）以及被人称作同性恋的女孩萨曼莎（Diana Hopper 饰）则另行前去。 两组人马分离攻破了巫女屋的玻璃,轻举妄动!无所禁忌的年青人,将在这恐惧肃杀之夜支付应有的价值……
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Outatsea,thecampersseesunnyskies-thendiscoverastowawayonboard.Asurpriseattackfromthedeepleavesthemstrandedonun
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查尔斯·弗伦德
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Captain Ambrose comes from a long line of distinguished sailors...but is all too susceptible to seasickness. After the war, he buys himself a nautical command on shore; a decrepit amusement pier at the British resort town Sandcastle-on-Sea, whose prim town council has outlawed arcade games as a form of gambling! Running the pier like a naval vessel, the captain's determination to make it a modern, going concern meets steady opposition. But with an unexpected new ally, he pursues a remarkable scheme to liberate his ship from land authorities...
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托德·索伦兹
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乔伊（简·亚当斯 Jane Adams 饰）、海伦（劳拉·弗林·鲍尔 Lara Flynn Boyle 饰）和崔西（辛西娅·斯蒂文森 Cynthia Stevenson 饰）是情同手足的三姐妹，三人从小玩到大，共同度过了一段无忧无虑的童年时光。长大后，三姐妹踏入了复杂混乱的社会，亦遇到了每个女人都逃不过的情感难题。 乔伊和男友之间的关系一直都充满了纠葛。崔西嫁给了心理医生比尔（迪伦·贝克 Dylan Baker 饰），哪知道看上去仪表堂堂的他隐藏了一个肮脏而又丑恶的秘密。艾伦（菲利普·塞默·霍夫曼 Philip Seymour Hoffman 饰）是比尔的病人，一次偶然中，他邂逅了风情万种的海伦，就此坠入爱河无法自拔。与此同时，三姐妹的父母突然宣布要结束他们为期四十年的婚姻。
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
