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诺埃尔·克拉克
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艾什雷·沃特斯
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大卫·艾略特
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杰森·马扎
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希滕·珀泰尔
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克里斯·考林
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Leeshon Alexander
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Kirsty Bartolo
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Oliver Bond
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Olivia Chenery
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Florisa Kamara
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Anthony Reddy
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Lucie Shorthouse
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Vanessa Vanderpuye
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Bulletproof follows two meijubar.net cops, Bishop and Pike, as they chase down hardened criminals in London's East End. On the surface Bishop and Pike have a lot in common they are cool, smart, unapologetically street-wise and tough; they share a deep, fraternal relationship - and are always there for each other. However, they come from very different backgrounds and their personal motivations and emotional lives outside the police force differ as a result: Pike is an aspirational family man, the son of a decorated police officer who's determined to follow in his father's footsteps, but not be in his shadow. Bishop grew up in care homes and on the streets, and never knew his father. Despite these differences Bishop and Pike are bonded by the same moral code and work brilliantly well together even when the chemistry between them looks set to explode.
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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樊启鹏
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[InAsYouSee,Farockisearchesforthoseinstancesandfactsinthehistoryoftechnologythathavebeenoverlookedorignored,alsoexploringtheambivalentrelationshipbetweentechnologiesdevelopedforciviluseandthosedesignedformilitarypurposes.Thusthefilmforinstancedescribeshowinthe1970'sworkersattheBritisharmsfactoryLucasAerospaceattemptedtod...
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AbbyandBarbaralaunchtheirblog,butitwon'tlastlongiftheydon'tfindawaytobringtraffictothesite.Astheylookintopotentialinfluencers,aruninwithAbby'sexandhisnewgirlfriendsparksBarb'simagination.Delia'shumanitarianeffortsatLegalAidsendheronastakeoutwithanabrasivebutexperiencednewcolleague.Phoebegetsindeeperwithherseducti...
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It’s a rare feeling when we open a book and find ourselves lost in its pages; finding pieces of ourselves in the story and letting ourselves be enveloped in the emotions that arise. This effect is what the works of Elena Ferrante are most known for. Listed among Time magazine’s 100 - most influential people in the world, Elena Ferrante is a contemporary icon, whose identity is closely linked to her novels and nothing more. Despite her massive international success, Elena Ferrante is an author whose true identity remains unknown. Via excerpt readings and interviews with critics, directors, booksellers, editors and authors such as Jonathan Franzen and Elizabeth Strout, Ferrante Fever explores Ferrante’s deeply intimate writing and looks into her choice to remain anonymous, which sparked an unprecedented cultural debate. Filmed between Italy and the United States, Ferrante Fever doesn’t necessarily go in search of the identity of the "faceless writer,” instead, it hopes to discover the secret of her success. How was she able to create stories that would conquer readers over the course of 12 - years? In-depth interviews provide answers, but so do the writer's own words, and the places and protagonists in her novels.
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Agatha'sinneedofawell-earnedbreakandwithChristmasjustaroundthecorneritlooksliketheperfectopportunitytorelax.Whenshereceivesaletterfromanoldladybeggingforprotection,shecan'thelpbutspringintoaction.
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迈克·弗拉纳根
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「闪灵」续集「就寝医师」(Doctor Sleep)北美定档2020年1月24日,仍然依据斯蒂芬·金的同名小说改编,迈克·弗拉纳甘(「杰罗德游戏」「逝世亡占卜2」「梦醒之前」)执导。本片聚焦闪灵里的儿子Danny Torrance,阅历了Overlook Hotel里恐怖的童年时间后,他曾经流落了多少十年,盼望解脱父亲的掉望!酒精!暴力等特质,终极假寓在新罕布什尔州的一个小镇上,这是一个支撑他的AA制社区,他在一野生老院找就任务,在那边他剩余的“闪灵”之力为垂逝世之人供给了至关主要的终极抚慰。在一只有预知才能的猫的赞助下,他成为了“就寝医师”。2001年女婴Abra Stone出生,她逐步开端展示超天然之力,好像猜测到了911变乱。她迟缓而有意地与Danny树破起心灵感到的纽带,跟着她的生长,气力也比Danny的更增壮大,Danny被从新激发贰心中的恶魔,并呼唤他为Abra的魂魄跟生活战役。弗拉纳甘重写脚本,此前由Akiva Goldsman改编。
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Abhiram(RamCharan)isahandsomelookingNRI,whoisbornandbroughtupinLondon.Eventhoughhelivesabroad,AbhiramlovesIndiancultureandfamilyvalues.Onefineday,hecomestoknowabouthisdadspastwhichisrelatedbacktoahugefamilybasedinIndia.Inordertofulfillhisdadsdream,AbhiramlandsinIndia.TherehefindsoutthathisrootsarebasedinthejointfamilyofBalaraju(PrakashRaju).RestofthestoryisastohowAbhirammanagestosuccessfullyenterthefamily,andwinstheloveofeveryone.
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Emilia,17,arrivesatherAuntInes'hostelattheborderbetweenArgentinaandBrazil,lookingforherlonglostbrother.Inthisluxuriantjungle,wherelocalmythsandlegendsabound,adangerousbeastbelievedtobethespiritofanevilmantakingtheformofdifferentanimalsseemstoberoamingaround.Onajourneytosexualawakening,Emiliawillhavetoconfrontherpastinordertokillthebeast.
