Tur
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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It’sofficial:TheConnerswillbegettingapropergoodbye.TheRoseannefollow-uphasbeenrenewedforseventhandfinalseason.AsDeadlinereportedexclusivelylastweek,theorderisbelievedtobeforsixepisodes,withthemaincast,includingJohnGoodman,LaurieMetcalf,SaraGilbertandLecyGoranson,expectedtoreturn.Therenewaltooklongertofinalizebecausedat...
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TheSingersisagenre-bendingfilmadaptationofa19th-centuryshortstorywrittenbyIvanTurge...
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TroubledartistCassiesufferswithreoccurringvisionsofmurder,whichshecopeswithbycommittingtheviolentactstocanvas.Butwhenhervisionsbegintomanifestinreallife,herfriendsandfamilybegintoturnupdead.Realizinghervisionsactuallyprovideadirectlinktothekiller,Cassiemustnowconfrontherownpastinordertostopthemurdersandsaveherself.
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Cassidy Red is a western romance set against the backdrop of the 19th century American southwest. The film follows the headstrong daughter of a prostitute who returns to her hometown, seeking vengeance against the corrupt lawman she believes murdered her lover.
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Whether the Weather is Fine, director Carlo Francisco Matanad (The Philippines). Production Cinematografica Films (The Philippines), Armi Rae Cacanindin. Feature film. Funding 30,000 €
