Antar
搜索"Antar" ，找到 以下影视作品
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Inhernewdocumentary,OekeHoogendijk(TheNewRijksmuseum)delvesintotheworldoftheoldmasters.MyRembrandt,inherownwords,hasbecomean'epicartthriller',inwhichthefilmmakergivesafascinatinginsightintowhatmakestheworkoftheDutchmastersospecialandwhyhisarttouchespeoplesodeeply.
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ThedocuserieslaunchesonFebruary10,2025.RidleyScott,directorofBlackHawkDown,contributedtothisdocuseriesthroughhisproductioncompanyRSAFilms.However,JackMacInnesdirectedit.MacInnespreviouslyworkedondocumentaries,includingLeavingAfghanistanin2022.ProducersJamalOsmanandEmmaSuppleworkedwithexecutiveproducersDominicCrossley-Hollandand...
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迭戈·奥利瓦雷斯
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Cosimo, a buffalo farmer, refuses to sell off his land to the family of the young mayor candidate. When he finds out he has a tumour caused by all the toxic waste that are illegally disposed of in the fields of the so-called “Land of Fires”, his wife decides to carry on his battle. Diego OlivaresDiego Olivares (1965) is a Neapolitan director, scriptwriter and dialogues writer. After directing some short films he embarks in the making of a documentary about the closing of the Frullone psychiatric hospital in Naples, Gli ultimi giorni del Frullone – Cronache da un manicomio nel 2000. In 2003, he directs his first feature film I chinghiali di Portici. In 2014, he directs the short film Canemalato produced by Figli del Bronx for Sky Cinema.
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ANetflixrevelouhojeaproduçãode“UmaGarotadeClasse”,seumaisnovolonga-metragemdetruecrime,baseadonopolêmicoeemblemáticocasoElizeMatsunaga—quejáfoitemadeumdocumentárionaplataformaem2021.Ofilmeseráumthrillercomtoquesmelodramáticos,mergulhandoemtemascomoclassesocial,ambiçãoeviolênciadeformaprovocativaeintensa.AdireçãoéassinadaporVellas,eoroteiroédeRaphaelMontes,conhecidoporseutrabalhoem“AMeninaqueMatouosPais”,outrosucessodogêneronoPrimeVideo.Quemassinaoroteiroemparceriacomeleé@marictorres.Aindasemelencoconfirmadonemdatadelançamentoprevista,aproduçãoprometeumaabordagemcinematográficaousadaeinstigantedeumdoscrimesmaisdiscutidosdaúltimadécadanoBrasil.
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伊斯梅特·锡金娜
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In the early '90s, the Yugoslavian Government cancelled the autonomy of Kosovo, dissolved its Parliament and closed down the National Television. All institutional life was reorganized by the new authorities, while the majority of the citizens responded with peaceful demonstrations. During this terrible time, Fadili, who works as an archivist, has to choose between two options, knowing that both of them are wrong. He therefore involuntarily and unwillingly "swallows" the shame, endures the pressure bearing down from all sides and puts up with the bad reputation for only one reason: to provide for his family.
