Tua
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詹妮弗·乌尔里希
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When the driver manages to crash the car on the road in the middle of nowhere the four-man-passenger-team (well, 1 girl and 3 guys, actually) have no other choice than to walk through the dark woods to the nearest hostel. Combine this scenario with zombies, a hockey-mask wearing giant and an annoying doll who demands popcorn, and you'll have "H3: Halloween Horror Hostel".
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Sixsummerstofallinlove.Onemomenttofallapart.Aweektogetitright.‘EveryYearAfter,’isafun,sweeping,romanticstorythatasksthequestion,whatifyourfirstloveactuallywasyoursoulmate?
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Germany refuses to receive any more refugees. The only way to obtain citizenship is to survive the popular TV show 'Immigration Game'. Whoever participates as a 'Runner' will be abandoned on the outskirts of Berlin and must make their way to the television tower at Alexanderplatz. For a prize money every German citizen may chase and eventually kill the refugees entirely unpunished...
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Everyone knows Sue, the majestic Tyrannosaurus Rex skeleton that is the pride of Chicago’s Field Museum of Natural History. Less known is the bizarre seven-year tale of intrigue, perfidy, double-dealing, and government intervention that resulted in the dinosaur-hunting discoverers, members of South Dakota’s Black Hills Institute, being divested of their find, cheated of recognition, and even sent to prison. Assembly of the gigantic fossil is something of a metaphor for filmmaker Miller’s meticulous reconstruction of a story that includes home movie footage of Sue’s discovery and recovery, her 1992 - kidnapping by heavily armed FBI agents, a rip-roaring courtroom drama as her ownership falls into dispute, and her eventual sale at auction for a heart-stopping sum.
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布莱德利·詹姆斯
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马丁·桑斯梅耶
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Jose
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Miguel
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Vasquez
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罗斯·安德森
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比利·布里德
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芬尼·卡西迪
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大卫·艾略特
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萨姆·吉斯
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凯欧瓦·高登
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Bryan
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Hibbard
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Pedro
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Leandro
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塔坦卡·米恩斯
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马特·默丘里奥
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Billy
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Rayner
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David
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Shields
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斯蒂芬·博姆
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史丹斯拉夫·卡拉斯
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奥斯卡.卡萨斯
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菲利普·克里斯托弗
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威尔·柯班
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乔·多伊尔
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泰勒·詹姆斯
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迈克尔·兰德斯
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亚伯拉罕·路易斯
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洛娜·麦克法迪
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马格努斯·马里乌森
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艾伦·麦肯纳
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何塞‧帕尔马
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大卫·
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布莱德利·詹姆斯(「梅林」)将主演Netflix新动画剧「束缚者」(The Liberator)。为什么是主演动画！由于拍摄办法较特别,将用Trioscope技巧,将最新的的CG科技联合真人扮演来出现,据称既有动画的视觉俏丽,也有严正题材所需的丰硕人类情绪细节(图2为后果图)。该剧为二战题材,来自实在业绩,詹姆斯扮演第157步卒团的美军军官Felix Sparks,团员多数是牛仔!美领土人!墨西哥/美国人,Sparks就是一个来自亚利桑那的牛仔,故事聚焦他在束缚欧洲的疆场上一段超越500天的路程,从防御意大利开端,到束缚纳粹的达豪会合营。Sparks壮大而满怀悲悯之心,勇于疏忽不关怀部属生逝世!只关怀本人前程的主座。在这500天里,他从少尉升为中校,部下的人也从一个连变为10000多人,是一个出色的“火线引导”人物。 脚本改编自Alex Kershaw的册本「束缚者：一个二兵士兵的500天冒险」,Jeb Stuart(「虎胆龙威」「流亡海角」)任主创!编剧跟履行制造人。共4集,全体由Trioscope技巧的开创人之一Grzegorz Jonkajtys执导。
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In an abandoned theater, French actress Marina Vlady recites from Borges' "The Immortal"... Japanese research scientist Shin Kubota sings praises to the "immortal jellyfish"... Milan Duomo workers subject the cathedral's exquisite statues to perpetual regeneration... Swiss musician/inventors Felix Rohner and Sabina Schärer persistently refine their percussion instrument, the Hang... Native American community leaders Leola One Feather and Moses Brings Plenty preserve the centuries-old spiritual resistance of their tribe...Filmmakers Massimo D'Anolfi and Martina Parenti pay tribute to humankind's aspirations for immortality by showing us a portrait of our efforts to overcome our own limits. They share their discoveries in a visual symphony to the power and harmony of nature's elements: water, earth, air and fire. From Milan to Wounded Knee, USA, from Bern to Shirahama, Japan, the traces of the filmmakers' travels spiral into a symbol of perfection and infinity: Spira Mirabilis.
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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Michael, a Danish gangster, takes his girlfriend, Sascha, and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing, and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority and creates a situation that cannot end well. In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions and expectations. First-time writer/director Isabella Eklöf has a dynamic visual touch and a flair for dark comedy and creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality and power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.
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silviaeEdwigesonocubisteinunanotadiscotecadiRimini.Decidonodiandareadabitareinunpiccoloappartamentosituatoaccantoadunfamosoantiquario.Checustodisceacasamoltirepertidiunanticaciviltà.Unanotte,quasiallalba,ritornandodallavoro,leragazzeassistonoaldelittodelvecchioantiquarioedellamoglie.Leduevittimesonobrutalmenteucciseda...
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彼特·麦基·本斯
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Colm is in his mid-forties, married, with two teenage children. Still grieving the death of his father, a destructive gure in his life, Colm struggles with his relationship to his own son, whilst at work a recent takeover threatens his job. Unable to share his vulnerability with his wife, Colm's world is falling apart around him. In the midst of this crisis, Colm solicits sex from a young man called Jay. This encounter and his growing infatuation has a deep effect on Colm. He finds a comfort in Jay that no one else can provide.
