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导演：
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Steve De Roover
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鲁杰罗·德奥达托
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Sonia Escolano
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伊萨克·厄兹本
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Florian Frerichs
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Rémi Fréchette
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Sadrac González-Perellón
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特伦特·海伽
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Ama Lea
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李尚宇
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John Lynch
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Andreas Marschall
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宝拉雅娜·麦金托什
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拉齐·马凯
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Chelsea Stardust Peters
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Bob Pipe
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朱利安·理查德
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Jason A. Rostovsky
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Dominic Saxl
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Milan Todorov
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A collection of 24 - films that take a look at the dark side of the festive season. 24 - international directors with the most diverse ideas and styles; linked by short animated segments that deal with the Advent calendar itself.
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雷·巴佛
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Alookatthelayersofintrigue,fromthesuperchargedpowerofdigitalcommunitiestothegamificationoftrading.
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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A beautiful documentary telling the real story of a homeowner living with a haunting. Bridging the paranormal, real science and the human experience this documentary shows a detailed look at what could be the most haunted house in America.
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WhenabotchedpotionsexperimentleavesMildredwithawholenewlook,canshecompletethreeimpossiblechallengesandreversethespellbeforethesungoesdown?
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WhensoldierShaunEmery’s(Turner)convictionforamurderinAfghanistanisoverturnedbecauseofflawedvideoevidence,hereturnstolifeasafreemanwithhisyoungdaughter.ButwhendamningCCTVfootagefromanightoutinLondoncomestolight,Shaun’slifetakesashockingturnandhemustsoonfightforhisfreedomonceagain.WithnewlypromotedDIRachelCarey(Grainger)draftedintoinvestigateShaun’scase,shequicklylearnsthatthetruthcansometimesbeamatterofperspective.ShouldshetrustShaunEmery?TheCaptureisasix-partthrillerthatlooksatatroublingworldoffakenewsandtheextraordinarycapabilitiesoftheintelligenceservices.Inthis‘post-truthera’,canwereallybelievewhatwesee?TheCaptureiswrittenanddirectedbyBaftaAward-winningfilmmakerBenChananandismadeforBBCOnebyHeydayTelevisionandNBCUniversalInternationalStudios.
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赫塞·斯维特
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Artificialintelligenceisinfiltratingeverylevelofthearmedforces,frominfantryonthefrontlinestocommandcentersconductingglobal-scaleoperations.Aterrifyingbehind-the-sceneslookatthishigh-stakesissue,followingmilitary-fundedscientistsracingtobuildthistechnologyandethicistsscramblingtoawakentheworldtoitsapocalypticpotential.
