Sahidur
搜索"Sahidur" ，找到 以下影视作品
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马赫什·纳拉扬
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HareeshandReshmiareanimmigrantcouplefromKeralaworkinginamedicalglovesfactorynearDelhi.DuringtheCOVID-19lockdowns,whenanoldvideoresurfacesamongthefactoryworkers,itopensupaPandora’sboxthatthreatensthecouple’sjobsandmarriage.Asdesperationandhostilitymounts,theyconfronttheirownneedsanddesireswhiletornbetweenalifeofconscie...
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During a long awaited family soiree Cedric challenges his relatives why they keep him from his journey.
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格雷丝·格洛威克
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伊莲恩·戴维斯
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黛拉格·坎贝尔
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马克西姆·高德特
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Julia·Beyer
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伊芙·杜兰索
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玛丽亚·杜埃尼亚斯
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Melanie·Scheiner
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Mary-Margaret·O'Hara
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Yannick·Nézet-Séguin
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Rosa·Johan-Uddoh
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Kieran·Adams
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Anni·Spadafora
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Fan·Wu
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Heidi·Galvez
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Darrah·Teitel
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Aaron·Danby
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Thefilmisinspiredbythetrue-to-lifestoryofthediscoveryofthelong-lost“Opus28”manuscriptfromNorwegiancomposerJohanHalvorsen,originallyperformedin1909byCanadianviolinistKathleenParlow,towhomthepiecewasdedicated.CampbellportraysastudentwhoseekstocompleteherthesisonParlowbyorganizingapublicperformanceof“Opus28”fromTorontotoOslo.ThecastincludesDueñas,MelanieScheiner,EveDuranceau,MaximGaudette,Rosa-JohanUddoh,andEileenDavies.
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HUDSONandREXisanaction-packedone-hourpoliceproceduraldramafocusedonthepartnershipbetweendetectiveCharlieHudsonandhispartnerRex,anextraordinaryformerK9dog.Whenapuzzlingcrimeemerges,thedynamicduoareonthecase-withCharliesdeftdetectiveworkandRexskeencaninesenses,thiscrime-fightingpairisunstoppable.
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阿格涅丝卡·霍兰
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片子报告了一个不为人知的故事。1933 - 年,一位大志勃勃的威尔士年青记者加雷斯·琼斯（Gareth Jones）离开苏联游览,发明白共产主义乌托邦神话后耸人听闻的事实。由此他开端直接一项惯例消息考察,但试图在当局掩饰下发掘乌克兰饥馑的本相很快酿成了生逝世攸关的摸索。 他的尽力不只遭到苏联检察构造的挫败,并且遭到对斯大林政权抱有好感的东方记者的阻拦,这此中最著名的就是时任「纽约时报」莫斯科分部的总编纂沃特·杜兰蒂（Walter Duranty）。 在事实生涯中,琼斯是第一个在东方媒体报道苏联 1932-1933 - 年大饥馑的记者。但因为许多常识分子对苏维埃政权持怜悯立场,他的报道并不受欢送。事先瞒哄了大饥馑事实的杜兰蒂也在尔后导致批驳,他因对苏联的连续报道而掉掉落的普利策奖也被「纽约时报」称为是“咱们为之觉得羞愧但能够做出说明”（Guilty With an Explanation）的一个奖项。
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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杰夫·瓦斯特
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Duringtoday’sDCFandomeeventanumberofanimatedfilmswereannouncedforthesummerof2022.AmongthemisGreenLantern:BewareMyPower.Nodetailsweredisclosedabouttheplot,characters,orcasting.
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A happy-go-lucky guy lands in trouble after he locks horns with an egoistic lady. Both of qigou.cc them try to outsmart each other during various situations.
