Roun
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Moments before his capture by police, a thief digs a grave to hide a bag of money. Released from prison years later he returns to retrieve the bag, only to find a shrine to an Unknown Saint build directly over his loot, and a brand new village constructed all around it.
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Inanundergroundfacility,fivescientistswakefromcryosleepwithnomemoryofwhotheyareorhowlongthey'vebeenasleep.Theysoonmakeashockingrealization:akillerishuntingthemdownthere,andmayevenbehidingamongthem.
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一位名叫托拉尼(Torranee)的护林员卷入一伙非法走私者时,导致他和他交往了七年多的男朋友肯(Ken)被被追了七年。他们都被逼得走投无路,从陡峭的悬崖上摔了下来。几个月后,肯醒来时没有爱人在身边。随着岁月的流逝,事情开始变得不顺利有人出现了,而且和他以前的爱人很像。旧的记忆又回来了,现在环绕着他,而肯开始怀疑Torranee没有死而他可能就是那个人......Whenayoungforestryofficer,Din,getsinvolvedwithagangofillegalsmugglers,itcauseshimandKen,ayoungmanwhohasbeeninarelationshipwithhimformorethansevenyears,tobechasedaway.They'rebothcorneredandfallfromasteepcliff.Afterseveralmonths,Kenwakesupbutwithouthisloverbyhisside.Astheyearsgoby,thingsstarttogoawrywhensomeoneappearsandhasaresemblancetohisformerlover.Theoldmemoriesreturnandnowcirclearoundhim.KenbeginstosuspectthatDinmightnotbedead,andthatDinmightbethisnewperson.
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TomPaton
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80sinspiredJohnCarpenteresqueAction.Ayoungwomanisforcedtopushpastherworstfearsandbattletodeportananciententitybacktowhereitcamefrom.SetinsideanundergroundmilitarybaseknownasTheArtemisBlackSite,themoviemixesanEscapeFromNewYorkstylesurvivalstorywithLovecraftianelementsandlargescalemythologybuilding.
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ThecontinuationofKao,Pete,SunandMorksstory.KaoandPetebeinginablissfulromance,havegrowncloser.ButwithKaobeingclosetedfromhismother,hefearsthedreadedthoughtofherfindingout.HismotherthenintroducesNon,asonofacolleague,asherequirestutoringfromKao.WithNonconstantlygivingoffiffyvibestowardsKao,itonlyfuelsPetesjealousy.Theirrelationshipisputinstrain,butthroughthis,theymustultimatelyovercomeeachothersflaws.Theybothblossomintheiryouthfulnesscoatedbytheireverlastingfondnessforoneanother.Surroundedbythewonderofdarkblue,PeteandKaosurrendertotheirfeelings.SunstartstakinghintsfromhisunrequitedloveandslowlygivesuponKao.ThroughthisMorkhappenedtopossiblycomforthim.WhilstSunpushesRaintostayawayfromMork,theyoungermansuncontrollablebehaviourbringshimin.Ashiswildnessisintriguing,SunsseriousnessholdsMorkdownsomewhat.Underneathitall,thetwostarttocareforeachother.However,withMorksdangerouslife,hecantshakewhoheis.ButmaybehecanforsomeonelikeSun.
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This film, very much of its time shows London in the early 1970's. Of course now a different world. Note the old fashion Underground ticket machines, and the Black and White Telly in the flat. The location looks very much like Churchill Gardens, Pimlico, with Battersea Power Station in the background. And, plenty of smoking going on, in pubs, and on the tube. The film is strangely sexy in its own way, with the young girl playing along with the much older man, its really a sexual fantasy come true. It is another one of those British low budget film where the low budget adds to rather that take away value. Watch for fun, which is what it is.
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高橋知子
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Kaito,aheterosexualman,isauniversitystudenthavingdistrustagainstwomen.Oneday,hefindsreallovewhendatingwithTokowhomhemetduringpart-timejob.However,TokofeelsherheartflutteringwhenmeetingHirokaatthepark,realizingherfeelingtowardswomenwhilstrefusingheridentityasalesbian.Kaito,whohappenedtoknowToko’ssecret,triestokeepheraround,but…..Thismasterpiecedepictedontheperspectiveofaheterosexualmanwhocontinuestoloveawomanwhorealizedheridentityshowsthepossibilityofsexualminority.
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Desperatetoturnhislifearound,ahard-luckgamblerriskseverythingtosellstolencasinochipstoaruthlessgunslinger.It'stheworstbetofhislife.
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Hodjaisadreamer.Hewantstoexperiencetheworld,buthisfatherinsistshestayshomeandtakesoverthefamily’stailorshop.Fortunately,HodjameetstheoldrugmerchantElFaza,whogiveshimaflyingcarpet.Inexchangehehastobringtheoldman’slittlegranddaughter,Diamond,backtoPjort.ElFazacan’ttraveltotheSultancityhimself,asthemightyrulerhasimposedadeathsentenceonElFaza,onthegroundsthathehasstolentheSultan’scarpet.However,citylifeisn’tquitewhatHodjaexpected,andheonlysurvivesbecauseofEmerald,apoorbutstreetsmartgirl,whoteacheshimhowtomanageinthebigworld.ButwhenHodjaloseshiscarpettothepower-hungrysultan,hisluckseemstorunout.Willhecompletehismission,findElFaza’sgranddaughterandreturnsafelybacktoPjort?
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
