Tua
搜索"Tua" ，找到 以下影视作品
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布雷特·本特曼
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AgroupofvirtualhuntersunleashadeadlysharkinaTexaslake,causingayoungcoupletofightf...
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Alaska Rose has had a difficult few years since her mom left the family four years prior; acting out, rebelling against her single dad, Conner, getting into trouble in school and worse. But when she turns eighteen, Alaska finds herself in front of a judge in adult court for some of the same out-of-control behavior. In lieu of a jail sentence, Alaska is ordered to do community service in an assisted living facility where she is assigned to Mrs. Foster, an elderly resident who is unapproachable at best and hostile at her worst. Will Mrs. Foster be Alaska's undoing or will she simply be another obstacle on the road to the headstrong girl's freedom As Alaska tries to minimally fulfill her court obligation and dodge actual jail time, she deals with peer pressure, static from her family, outside influences and demons from her past. Can she navigate the tumult and re-discover a relationship with God and her family or will she remain caught in the cycle of bad choices and lose what little of either is left
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Stuart Whitman is Shatter, an international hitman who is hiding out in Hong Kong after he has completed a contract out on an African leader. Shatter soon finds out that everyone wants him dead, including the crime syndicate, the cops and the brother of the African leader he killed. Shatter teams up with a kung fu expert (Ti Lung) to try to get the money that is owed to him. Various double crosses and fight scenes ensue.
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尤塞夫·切比
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BlackMedusaisthestoryofNada,ayoungwomanwholeadsadoublelifeintoday’sTunis:lonelyandboringduringtheday,violentandextremeduringthenight.ThishighlyritualizedlifeisgoingtoflatterthedayNoura,anewcolleagueofher's,fallsinlovewithNada.Atthesametime,Nadafallsinlovewithanoldknife.SostartsforNadaamoreviolentandextremelifeassheloosescontroltotheknife.ThefilmisaMedusamythinspiredfilmnoirinthe#MeTooera.
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BLAZEYOUOUTfocusesonayoungwoman'sjourneytofindhermissingsisterintheheartofabrutalunderworldcontrolledbytheherointrade.ThestorytakesplaceinthebeautifulEsperanzaValleyinNorthernNewMexico,abasinwhichbeliesanunderlingsickness,asinisterinsidiousspiritualdownfallcausedbydecadesofdruguse;buttheprotagonist'sjourneyintothisb...
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Timandhisteamaretherisingstarsoftheghosthuntinggame.Onethingtheyalllikebetterthanagoodhauntisagreatprank.Whentheteamarrivesatanewinvestigation,theycannotfigureiftheoccurrencesarepartofsomeelaboratemasterprankorifthehouseisactuallyhaunted.Unfortunately,theydon’tfindtheansweruntilitisfartoolate.
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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ppoy is a school kid with a creative mind who couldn't cope up with the formal system. All the while he got attention through his art. When he was forced to the edge of the system he begin to lose his identity. Later he is pushed into a loser category. At one point he begins to get attention when he started to perform outside of the system as a wild character. Because of the strong outer factor of the system and due to confused feelings he chose to remain as a wild character without knowing he is actually being a slave of the rottening system.…
