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Germany refuses to receive any more refugees. The only way to obtain citizenship is to survive the popular TV show 'Immigration Game'. Whoever participates as a 'Runner' will be abandoned on the outskirts of Berlin and must make their way to the television tower at Alexanderplatz. For a prize money every German citizen may chase and eventually kill the refugees entirely unpunished...

　　The story revolves around a G8 meeting, held at a luxury hotel on the German coast, where the world’s most powerful economists are gathered to enact important provisions that will deeply influence the world economy.　　One of the guests is a mysterious Italian monk (Servillo), invited by Daniel Rochè (Auteuil), the director of the International Monetary Fund. He wants the monk to receive his confession, that night, in secret. But the next morning, Rochè is found dead.

An English girl has her life uprooted by her mum the last year of High School. As if it wasn't hard enough leaving behind what is familiar, this small American town holds past memories for her as she spent years there as a child. Although, the hazy recollections and past history are only a small piece in the uncertainty of teenagehood.

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An intimate celebration of George Michael and Andrew Ridgeley’s enduring friendship, from childhood and through their years together as one of the UK’s biggest bands. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?Michael and Ridgeley met at school in Bushy, near the town of Watford. They first formed the ska band The Executive before going on to release their first single as Wham!, Wham Rap! in June 1982. Success wasn’t immediate, but when it finally came, the pair crested a wave of success that continued until their farewell concert, The Final, at Wembley Stadium in June 1986. Chris Smith’s hugely entertaining film offers full and unprecedented access to the band’s archive, including unseen footage and interviews with the duo. The result is a nuanced portrait of an enduring friendship and a joyous musical travelogue.

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　　Tells us about a girl named Larasati, trying to fulfill her deceased mother's last wish to deliver a box filled with letters from her past to an old guy lived in Prague. A story about forgiveness, tying loose end and bond.

Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.