Poli

This spoof comedy narrates the story of a cop Arjun Patiala (Diljit Dosanjh) and his sidekick Onidda Singh (Varun Sharma). Together, will they be able to accomplish their mission of a crime-free qigou.cc town with their goofy style of policing?

Afteradeadlyshooting,apoliceofficerwakesupdecadesinthefuture.InaworldwhereaTVshoworganisesbloodycombatsbetweenwarriorsfromdifferenteras,Ryanmustfightthebestofthemtosurvive.

Apsychoanalystissentencedtocommunityservicefollowingatrafficaccidentandisassignedtoprovidetherapeuticsupporttoapoliceagentdevastatedbyhiswife’sinfidelity.Thetwowillfaceunimaginabledangerstogether.

Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

Scion of the once-rich Mitchell family, Herbert Wynn is found shot to death. Nurse Adams, bored by hospital routine, is recruited by the police to ferret out clues as she tends to Wynn's elderly aunt Julia. Jokingly given the 'rank' of Miss Pinkerson, after the famous detective agency, Adams probes into the mystery, but not before a second death.

CreatedbyEmmyAward-winningProducerDickWolf,Law&Order:SpecialVictimsUnitnowinits21stseason,makestelevisionhistoryasthelongest-runningprimetimelive-actionseriesofalltime.Thishard-hittingandemotionalseriesfromNBCsLaw&OrderbrandchroniclesthelivesoftheSpecialVictimsUnitoftheNewYorkCityPoliceDepartment,anelitesquadofdetectiveswhoinvestigatecrimesofsexualassault,childabuseanddomesticviolence.

　　Natty Gann (played by Meredith Salenger) is a twelve year old Depression era girl whose single-parent father leaves her behind in Chicago while he goes to Washington State to look for work in the timber industry. Natty runs away from the guardian she was left with to follow Dad. She befriends and is befriended by a wolf that has been abused in dog fights, hops a freight train west, and is presumed dead when her wallet is found after the train crashes. Dad gets bitter and endangers himself in his new job. Meanwhile Natty has a series of adventures and mis- adventures in various farmhouses, police stations, hobo camps, reform schools, and boxcars.

　　Cosimo, a buffalo farmer, refuses to sell off his land to the family of the young mayor candidate. When he finds out he has a tumour caused by all the toxic waste that are illegally disposed of in the fields of the so-called “Land of Fires”, his wife decides to carry on his battle.　　Diego OlivaresDiego Olivares (1965) is a Neapolitan director, scriptwriter and dialogues writer. After directing some short films he embarks in the making of a documentary about the closing of the Frullone psychiatric hospital in Naples, Gli ultimi giorni del Frullone – Cronache da un manicomio nel 2000. In 2003, he directs his first feature film I chinghiali di Portici. In 2014, he directs the short film Canemalato produced by Figli del Bronx for Sky Cinema.

Anoff-dutyNewYorkCityPoliceDetectivegetscaughtinaninner-citybrawlbetweenundercovercopsconvincedthatheisalocalstreetthug.Themeleeendsinatragicdeathfollowedbyanuproarwithingangsandcopsinneighboringcommunitiesandacrossthecity.

Duke is a crooked and music-mad police officer. Frankly, he's a really bad cop. He deals recreational drugs and loves to bully the citizens of Los Angeles. Among Duke's partners in the department are a sexually abusive policeman, an extortionist blonde, a family guy with a dubious past, and a one-eyed extremist who dreams of becoming a techno musician. Their once smoothly running corrupt scheme develops a critical flaw when a guy whom Duke shots by accident and stuffs in the trunk of his car suddenly turns out to be alive...