Cle
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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Following the crisis in Ukraine and Russia’s involvement in Syria, the world is closer to super power confrontation than at any time since the end of the Cold War. Now a committee of senior former British military and diplomatic figures comes together to war game a hypothetical ‘hot war’ in Eastern Europe, including the unthinkable - nuclear confrontation. The War Room faces a scenario that has haunted western strategists since civil war broke out in Ukraine potential Russian military involvement in the Baltic States of Latvia and Estonia. Like Ukraine these countries have sizable Russian speaking minorities, but unlike Ukraine they are members of NATO, whose founding treaty states that an attack on one ally is an attack on all of them. Because of this, western analysts regularly war game a situation where Russia seeks to exploit ethnic tensions in the Baltic and test the strength of the NATO Alliance.
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萨姆·德容
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Goldie, a precocious teenager in a family shelter, wages war against the system to keep her sisters together while she pursues her dreams of being a dancer. This is a story about displaced youth, ambition, and maintaining your spirit in the face of insurmountable obstacles.
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A shallow and slightly clueless social media influencer takes his girlfriend out to the wilderness with the intention of live-streaming the most epic proposal ever! But things take an unexpected turn after she slips off the edge of a cliff in order to get that perfect shot. It takes being separated in the wild and overcoming nature's obstacles for them both to realize they just might not meant for each other...while finding love in new, unexpected places-like an old flame turned Search and Rescue volunteer, and a capable female park ranger.
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派屈克·福吉特
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丽莎·贝恩斯
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黄谷子
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AshlyBurch
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DavyRothbart
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RobertLorie
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DavidPark
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PaulChamberlain
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NancyFong
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TheStrongestManisaMiami-centriccomedyaboutananxiety-riddenCubanman,whofancieshimselfthestrongestmanintheworld.Inaquesttorecoverhismostbelovedpossession,astolenbicycle,hefindsandlosessomuchmore.
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When,atthebeginningofDeusIrae,FatherJavierstaresatacrucifix,hisexpressionsandhishandssuggestthatthenervesareconsuminghim.Aflashbackrevealsthatthispriestdevoteshislifetovisitingfamiliesthatclaimtohaveseenthingsthatdonotbelongtothisworldandcleansingtheirhomesfromthedemonsthattrytopossessthem.But,uponreturningtothosehouses,henoticesthattheevidenceisalwaysdestroyed.Thisway,hediscoversthataclanisafterhim,andmustdecidewhethertohidefromthemorjointhem.Intimeswhenhorrorcinematendstofallintothehandsofdirectorsthatseektobuildnarrativesthatareintrospectiveandclosetoreality,PedroCristianigoesbacktoold-schoolhorror,wheregoreandthephysicalexperienceareaboveanyotherkindoffeeling.Acinemathatplacesthecamerainfrontofthefacesofthebloodiestdemonsand,insteadofgivinglogictothem,choosestofacethemwhateverthecost.
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Whenthecleverbutsocially-awkwardTetêjoinsanewschool,shelldoanythingtofitin.Butthequeenbeeamongherclassmateshasotherideas.
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片长：88语言：俄语国家：苏联颜色：黑/白导演：谢尔盖格拉西莫夫，米哈伊尔卡拉托佐夫演员：鲍里斯巴博奇金鲍里斯Blinov塔玛拉马卡洛娃Description:Theautumnof1941.LeningradisbesiegedbytheNazis.Anewmodeloftankisbeingdevelopedatalargedefenseplant.Builtintheshortestpossibletimecombatvehiclesaretesteddirectlyonbattlefields,fightingwiththeNazisintheoutskirtsofthecity.Thefirstfeatureagitprop...
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基利士·麦根诺
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苏格兰女王玛丽（克蕾曼丝·波西 Clemence Poesy 饰）在18岁之前都生活在异国他乡，成年之后，她回到了苏格兰继承了王位。直到这时，这位天真的少女才发现，原来王室的生活除了肉眼可见的奢侈和华贵外，还暗藏着无数的下三路勾当。 在吃了几回亏之后，玛丽迅速的成长起来 ，逐渐蜕变成为了一位真正受人敬仰的女王，但在此过程中，她失去了太多。为了稳固政权，玛丽被迫借给了英格兰伯爵，但之后，她邂逅了英俊的护卫队长（保罗·尼科尔斯 Paul Nicholls 饰），两人之间很快就碰撞出了爱情的火花。当玛丽女王沉浸在她甜蜜的爱情之中时，宫内亦正在酝酿一个惊人的阴谋。
