Sinem
搜索"Sinem" ，找到 以下影视作品
剧情：
颂克拉姆和埃都是工科学生，住在大学宿舍。颂克拉姆是宿舍3的学长，宿舍3是“强壮且有运动能力”的男学生被分类的地方。埃是2号宿舍的学长，2号宿舍住的都是“好看”的男同学。埃曾经是颂克拉姆的导师和朋友，但是当他们两个都被选为宿舍的舍长后，他们就分开了。2号和3号宿舍已经吵了好几代了。埃和颂克拉姆虽然表现得像是敌人，但是埃实际上是爱上了颂克拉姆。然而，他认为颂克拉姆对溟恩有感情。埃不知道的是，他才是颂克拉姆喜欢的人，而不是溟恩。SongkramandAyebothareengineeringstudentsandliveinuniversitydorms.Songkramistheheadstudentofdorm3,whichiswherethe"strongandathletic"malestudentsaresorted.Ayeistheheadstudentofdorm2,thedormwhereallthe"goodlooking"malestudentslive.AyeusedtobeSongkram'stutorandfriend,buttheyfellapartafterbothofthemwerechosentobeheadstudentsofthedorms.Dorms2and3havebeenateachother'sthroatsforgenerations.AyeandSongkrammightactlikeenemies,butAyeisactuallyinlovewithSongkram.However,hethinksSonkramhasfeelingsforMean.WhatAyedoesn'tknow,isthathe'stheoneSongkramlikes,notMean.
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拉娜·沃卓斯基
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基努·里维斯
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凯瑞-安·莫斯
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叶海亚·阿卜杜勒-迈丁
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杰西卡·亨维克
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乔纳森·格罗夫
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尼尔·帕特里克·哈里斯
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佩丽冉卡·曹帕拉
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克里斯蒂娜·里奇
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特尔玛·霍普金斯
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埃伦迪拉·伊瓦拉
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托比·奥伍梅尔
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马克思·雷迈特
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布莱恩·J·史密斯
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贾达·萍克·史密斯
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丹尼尔·伯哈特
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艾伦·霍尔曼
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朗贝尔·维尔森
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安德鲁·卡德威尔
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伊恩·皮里
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威廉·W·巴伯
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埃尔文·费利西达
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迈克尔·J·格温
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Linda
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Joy
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Henry
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约翰·洛巴托
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安妮-玛丽·奥尔森
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艾蒂安·维克
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克莱顿·华生
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詹姆斯·D·韦斯顿二世
剧情：
尼奥（基努·里维斯KeanuReeves饰）和崔妮蒂（凯瑞-安·莫斯Carrie-AnneMoss饰）重回矩阵：在这里，一个是矩阵创造出来，周而复始的日常世界，另一个则是隐藏其后，真实的人类世界。为了弄清楚自己所处的“现实”究竟是真是假，尼奥不得不再次做出选择……
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伊万·科特罗尼奥
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故事发生在1973年的意大利那不勒斯，佩皮诺（路易基·卡塔尼 Luigi Catani 饰）是一个生活在那里的十岁男孩。佩皮诺生活在一个并不幸福的家庭之中，父亲在外面沾花惹草，母亲在家中以泪洗面。最终，佩皮诺无法忍受家里萧条的气氛，于是决定离家出走投奔自己的叔叔萨尔瓦多（利贝罗·德·瑞恩佐 Libero De Rienzo 饰）和婶婶提提娜（克里斯蒂安娜·卡波通蒂 Cristiana Capotondi 饰）。 萨尔瓦多和提提娜都是信奉自由至上的嬉皮士，在两人的带领下，佩皮诺领略了各种舞会派对的热闹以及欢乐，而堂哥杰纳罗（文森佐·内莫拉托 Vincenzo Nemolato 饰）则更是成为了佩皮诺的人生挚友。不幸的事，在一场车祸中，杰纳罗意外丧生。
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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Marseille,juillet1905.LejeuneMarcelPagnolvientd'acheversesétudesprimaires.Danstroismois,ilentreraau?lycée?.Troismois...uneéternitéquandonacetage.Carvoiciletempsdesvacances,lesvraies,lesgrandes!Enfantdelaville,ceretourtantattenduàseschèrescollinesd'Aubagne,cellesde?LaGloiredemonpère?et?LeChateaudemamère?letr...
导演：
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广濑贵士
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Constantlyonthehuntandsufferingfromhallucinationsthatdrivehisviolentnature,anunnamedmaniscapturingwomenandsavagelybeatingthemtodeath.Meanwhile,awomanisluringmenintoaviolentend,bywayofherknife.Drivenbythesameforcetomaketheoppositesexsuffer,thekillers’fatesintertwine.Thetwomustfaceoffinabattletothedeath,inwhichtheyareforcedtorevealthehorribletruthbehindtheiraddictiontomurder.“Brutal”takesaninterestingapproachtoitsvisuals,drawingheavyinfluencefromWestern“Grindhouse”films,usingafiltertomakethefootageappeargrainy,damaged,andwithlightandcolorfluctuations.Unfortunately,thevisualstylingendsupfeelingmisguided,asotherthanapplyingthefilteritdoesnotimitateanyotheraspectsofthe“Grindhouse”genre.Despitetryingtodirtyupthefilm,itisapparentitwasshotondigital.Thecinematographyisalsoastepabovemost“Grindhouse”productions,withTakashiHiroseprovinghehastalentbehindthecamera.Exteriorshotstothosetakingplaceinsmallspacesareallcompetentlyframed,lit,andtransitionwell.Thedecisiontoaddaneffectontopoftheworkhurtsthefilm’simageryandevengivesasenseofdesperationtotrytocaptureacertaintypeofnostalgiawiththeaudience,insteadofrelyingonitsownstrengths.Itisunfortunatewhenonecreativechoicecanhurtaproductionsomuch.Thestoryof“Brutal”issimplebuteffective,itdoesattemptsomesortofsocialcommentaryabouttheviolentnatureofmenandwomen,butitdoesnotofferenoughdepthintothesubjecttojustifytheamountofviolenceondisplay.Thefilmdoesendonastrongnotewithaninterestingtwist,witharevealthatisboundtogrosssomeout,whilegivingothersachuckle.Inspiteofitssimplenature,thosewhoenjoyfilmsthatmakethemsomewhatuncomfortableandenjoythechallengeofgettingthroughsomeultra-violence,“Brutal”posesafunandentertainingchallengeinthatregard.
剧情：
知名女同剧情剧集《拉字至上》续集定名：《拉字至上：Q世代》(LWord:GenerationQ)，并宣布今年秋季档开播，仍在Showtime。前作主演JenniferBeals(饰演Bette)、KatherineMoennig(饰Shane)、LeishaHailey(饰Alice)回归出演原角色，并和前作制作人IleneChaiken一起任执行制作，还会有一些全新角色。新季是老版的续集，运作人为Marja-LewisRyan(2010年喜剧片《四角恋》编剧、《6Balloons》导演兼编剧)，共8集。
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克里斯汀·斯图尔特将主演政治惊悚新片「四周受敌」(Against All Enemies),扮演美国影星!法国新海潮的短发女神珍·茜宝。杰克·奥康奈尔!安东尼·麦凯!玛格丽特·库里!科尔姆·米尼参演,本尼迪克特·安德鲁斯(「乌娜」)执导。 报告1960年月晚期,茜宝因怜悯跟支撑黑豹党(美国右翼黑国平易近权构造),并与其成员有交往,与平易近权活动家Hakim Jamal(麦凯扮演)也无情愫。她惹起了美国联邦考察局的留神,一位年青捕快(奥康奈尔扮演)对其开展考察。 由Automatik Entertainment制造,Fred Berger(「爱乐之城」「远山情人」)!Brian Kavanaugh-Jones(「埋伏4」「半夜流亡」)!Kate Garwood!Stephen Hopkins任制片人,Joe Shrapnel&Anna Waterhouse(「弗兰基与爱丽丝」)编写脚本,炎天开拍。
