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翁贝托·伦齐
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UmbertoLenziisundoubtedlythekingofItaliancrimemovies,butunfortunately;SyndicateSadistsisnotthebestexamplesofhisworkinthisgenre.Lenzi’scrimeflickstendtobeacutabovetherestbecausehemakesfilmsbasedonstorieswithapoint,andtheydon’tlackdirection;butthisfilmfeelsabittoowaywardtofullyfitwiththerestofhisstuff.ThefilmtakesobviousinfluencefromSergioLeone’slandmarkwestern’AFistfulofDollars’(whichinturn,tookinfluencefromAkiraKurosawa’slandmarksamuraiflickYojimbo),inthatitfeaturestwowarringfamiliesandastrongcharacteratthecentre.ThecrimethatLenzifocusesoniskidnapping,andwecentreonacharactercalled’Rambo’.Ramboisdraggedintothewarbetweenthetwofamiliesafterhisbrotheriskilledbecauseofit.Rambouseshisbrainsandbrawntopitthetwofamiliesagainstoneanother,inthehopeofgainingrevengeforhisbrother’sdeath,rescuingayoungboythatthey’vekidnapped,andultimatelylettingthetwosidesdestroyoneanother.Thefilm’sbiggestassetisundoubtedlyTomasMilian.MilianwasputtogreatusebyLenziinalmostallofhiscrimethrillers.TherangeofcharactershehasplayedforLenziisimmense,andthisoneiseasilyoneofthecoolest.ThecharacteriscalledRambo,whichimmediatelysprangtomindthepopularSylvesterStallonecharacter-butforonce,theItaliansactuallyhaven’tstolenthisnameasSyndicateSadistswasreleasedfirst!Asusual,thefilmiswickedlyentertaining,aswegettowatchMiliangethimselfinvolvedintheusualarrayofcarchases,shootoutsandbrawls.Lenzihasgothimridingamotorbikethistimeround,andeveryscenefeaturingitandMilianisarealstandout!However,thefilmoftenfeelslikeitdoesn’treallyhaveanywheretogo,andthismeansthattherunningtimeisstretchedoutmorethanitshouldbe.ComparedtothecrimefilmsofotherItaliandirectors,SyndicateSadistsismorethanaboveaverage;butinrelationtoLenzicrimeflickssuchasAlmostHumanandTheCynic,TheRatandTheFist-itdoesn’tstandtallasoneofLenzi’sbest.Still,ifyou’relookingforninetyminutesoftestosteronefuelledmayhem-SyndicateSadistswillsuffice!
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Cutofffromcivilisation,asinglemotherputsherchildrenonhighalertwhentheybringhomeayounggirlcakedinclay.Shetellsofspiritsandspirithunters,butthesearenotmeresuperstitions.Asmorestrangersshowuponherdoorstep,shequicklyfindsanotherreasontofeartheforest.
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内详
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Whenoneisinsearchofwhatheneeds,onlytofinditwhenhereturnshome.Thisisastoryofamanwhocomesbackhometorecoverfrombigcitylife.Butit’snotthateasywhenhehastofightforthethingsthathethoughtweresupposedtobegiven.Hehastoworkthroughthisfarmingchallengetoclaimitback.Hisfriendsandfamilyarealltheretohelphim.Somehowwithoutrealisingit,hegainsbacksomethingmorevaluable.
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乔纳森·卡普兰
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故事发生在1890年的科罗拉多州，科迪（玛德琳·斯托MadeleineStowe饰）、安妮塔（玛丽·斯图尔特·马斯特森MaryStuartMasterson饰）、艾琳（安迪·麦克道威尔AndieMacDowell饰）和莉莉（德鲁·巴里摩尔DrewBarrymore饰）是四位风姿绰卓的妙龄女子，因为被一位军官调戏，科迪失手将他杀死，不得不面临被绞死的命运。另外三人在处决前将科迪救下，四人就此踏上了逃亡的旅途。祸不单行，在途中，她们又遭遇了一帮劫匪，所带的财物被洗劫一空。巧合的是，一名牛仔同样在寻找这帮劫匪企图复仇，五人一拍即合，决定联手展开复仇行动。在此过程中，科迪也和这名英俊的牛仔碰撞出了爱情的火花。
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大卫·博维斯
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在未下天下,因为痛掉爱子,蠢才迷信家天马博士（尼古拉斯·凯奇 Nicolas Cage 配音）发明出了机器人阿童木（弗莱迪·海默 Freddie Highmore 配音）,想以此来作为儿子的替人,寻觅抚慰。固然,阿童木占有博士儿子的情绪跟影象,并且进步的顺序还在一直完美其情绪,并让他富有怜悯心。但是,博士一直无奈接收掉子之痛,对阿童木也不克不及准确看待,并以为他不是人类而将其摈弃。阿童木沉溺为无家可归的流落儿,并且还备受军方的到处通缉,并终极被捉住。军方请求天马博士拿掉落阿童木的动力,让它酿成军方呆板人的动力装备。在最后时辰,天马博士忽然觉悟,并帮助阿童木逃脱。面临军方的围追切断,阿童木抖擞对抗,终极一场惊世大战剑拔弩张。在一直的旅前进程中,阿童木也逐步生长,他也接收了本人这机器与人类联合的计划,并负担起全人类生逝世生死的重担。
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莎拉·施特莱歇尔
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瑞切尔·格里菲斯
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雷格·爱德沃兹
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海伦娜·霍华德
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米娅·海雷
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索菲娅·阿里
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Troy Winbush
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埃拉娜·詹姆斯
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大卫·苏利文
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香农·贝里
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Reed Shannon
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萨拉·皮金
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Jenna Clause
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亚历克斯·菲茨艾伦
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尼古拉斯·库姆
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Lillie Wallace
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Survivalhangsinthebalanceforagroupofteenagegirlsstrandedonadesertedisland,aftertheexplosivediscoverythatwhat'shappeningtothemisanelaboratesocialexperiment.Season2upsthedramaandkeepsyouguessing,withtheintroductionofmoretestsubjects–anewislandofteenageboys–whomustalsofightforsurvivalunderthewatchfuleyeoftheexperiment’spuppetmaster.
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ThemovieisbasedonthesuspenseshortfilmnominatedfortheGoldenMélièstotheBestEuropeanFantasticShortFilm,winnerofmorethan30awardsandscreenedbymorethan200filmfestivals.Itwasdefinedbythecriticsas"acultshortfilm".
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佛莱德·欧林·雷
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洁西卡在棕榈泉有一个大型的演讲。不过还是有一些问题：她的两个孩子为了让爸爸妈妈重见天日，愿意做任何事情——即使他们不得不侵入妈妈的手机，或者假扮秘书以确保爸爸也在棕榈泉。还有乔神父，他会不惜一切代价让自己回到杰西卡的生活中来。
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Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
