Toti
搜索"Toti" ，找到 以下影视作品
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朴孝朱
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Achillingmysterythriller,blessedbystirringimaginationandstrikingactingperformances,especiallybychildactors.Amongwittyscaresinventedbythedirectorherself,wegetclosertountreatabletruesinsoftheCatholicreligion.Skilfullyraisedfantasiesaboutexorcism,possessionandresurrectionslowlytransformintobreath-takinghorror,whichmaynotleaveyourthoughtsforalongtimeafterthescreening.AdevotedlyfaithfulfamilymournstheireldersonHan-byul.BothparentssincerelybelievethatitisthehandofgoodlordJesusthatteststhemwithpainfulsuffering.Thereverendadvisesadoptingachildwithspecialneedsandsharingallthelovetheystillhaveintheirwoundedheartsafterthetragicaccident.SothegrievingparentsembracevisuallyimpairedcharismaticIsaac,whoquicklyfindshisplaceintheirspacioustwo-storeyhouse.Theacutelysensitiveboycountsthatthekindfamilystillconsistsofsevenmembers,andwitnesseshowthecryingHan-byulconstantlyvisitsthem.Confusedbyincrediblerevelations,themotherstartstonoticepreviouslyunseenguidingsigns.Guiltconfrontssanity.Grieftransmitsintofear.Doubtsbringhomeobsession.Newcluesexposehurtfullies.Divinefaithopensallgatestopowerfuldevilishmanipulations.Theprolongedprocessofhealingdispersesintodrownedsecrets.Howlongcanyoubelievesomethingwhisperedbysomeonewhoisnotentirelytrustworthy?Howfarwillalovingmothergotoprotectheradoptedchildwhosuddenlyuncoversnot-so-pleasanttruths?源自：https://poff.ee/en/film/the-other-child/
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约翰·麦克诺顿
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HENRY热中于杀人，他把杀人当成一种艺术，在相同的时间用不同的方法杀死不同的人。他把房子租给了一个叫OTIS的人，当他的姐姐来访的时候，HENRY的杀人冲动又开始萌动了。。。。。 这部片子是美国黑色电影的代表作，在80年代末曾多次获奖，电影的表现手法及剪辑都相当精彩。 谓“黑色电影”？它是否一种类型，运动或潮流？至今仍无定论，有的学者认为“黑色电影”是一种类似西部片，音乐喜剧片，恐怖片的的片种，是一种有着深厚历史与社会背景下产生的1940－1960年间的电影潮流或运动，有的甚至认为“黑色电影”必须是黑白片，60年后便再也没有“黑色电影”了。但我个人认为“黑色电影”不是任何一种类型片，虽然其称号来自30，40年代的强盗片犯罪片与侦探片。那“黑色电影”到底是什么呢？我个人认为，它是一种含有“黑暗或黑色”情绪与心理色调的特质电影，所以它与一些类型片如强盗片犯罪片，侦探片（有人认为黑色侦探片是强盗片的延伸），音乐喜剧片，甚至科幻与恐怖片都会有互相重叠的部分（因为划分标准是不同的）。 黑色电影所具有的历史社会背景很大如战争，经济大萧条，政府与社会制度的弊端等；一般取材于现实生活（当然也有少量的科幻题材）；描写的阶级层面并不仅限于社会底层，也可涉及中上流社会；影片中常常出现夜色下的城市，兰色的灯光洒在湿漉漉的街道上，周围是高大的水泥墙……，光色抑郁，影片人物愤世或觉醒，气质忧郁，有宿命感和悲观主义，但又往往具有独来独往不受约束，什么都不在乎的无政府主义，如果是女性角色则大多具有独立精神，甚至邪恶，放荡如通过性来操纵男人达到目的，但无论影片的主人翁是英雄还是匪徒，其结局往往是失败（因为影片总体是从批评与讽刺的角度来描写的），表现出秩序与反秩序的冲突，并抨击追求物欲产生的堕落与残暴。 这部片子还有一个译名：连环杀手的画像」听起来不是很吸引吗？
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After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --? Official Site
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Just over 40 - years ago, marriage in China was arranged by the state. Romantic love was seen as a capitalist concept and was not allowed during this period. Wedding photography (if any at all) consisted of one black and white passport photo of the couple (dressed in Mao- style outfits) as proof of the marriage. Now, China has fallen in love with love and its exploding wedding industry is worth 80 - billion dollars, and it is on an upward curve. Pre-wedding photography is one of the most significant and curious parts of the industry. Every couple marrying in China will take part in a pre-wedding shoot. It in册ves several costume and backdrop changes where you can become a character in any fantasy you choose. For the most exotic lo- cations couples pay up to $250 - 000 - AUD. Pre-wedding photo shoots have become an important national ritual. They are proof of the marriage but now also of love, romance, freedom, status, money and the new China Dream. As an expat living in Shanghai with a long history of coming to China, Sinophile photographer Olivia Mar- tin-McGuire was captivated by the construction of dreams through this booming photographic world. Once she started to delve deeper into this new traditional she found a unique window into China. One that revealed a country dreaming, a country rapidly booming and a country reconstructing its recent past trauma all through their own lens. China Love takes us on a wild journey into the warmth of the family web in China into the hearts of our characters and into their personal dreams with an understanding of why and where these aspirations come from. The project explores China's new position as a globalised country from its restrictive and highly traditional past - through the window of its booming wedding industry and asks what is the new China Dream when it comes to love.
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Episode1:HighCastleAuniversityprofessorwhohadbeenworkingasatranslatorattheNurembergtrialsisstabbedtodeath.AsFoyleinvestigates,hedelvesintotheworldofinternationaloilpoliticsandcorruptNazibusinessmen.Samassiststhemurderinquirybygoingundercover,despiteherpregnancy.Episode2:TrespassAsBritaindebatesthecreationofaJewishstateinPalestine,thesonofawealthyJewishbusinessmanisassaulted.Theflamesofanti-SemitismhaverecentlybeenfannedinLondonbyCharlesLucas,aright-wingwriter,andFoylesuspectstheattackwasraciallymotivated.Episode3:EliseAfteranattemptonHildaPierce'slife,FoylescrutinizesherworkforSOEduringthewar.CouldthisberelatedtothedeathsofnineSOEagentsinFranceandrumorsofatraitorcalledPlato?
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Tutorissaidtobe‘wise’beyondhisageandactsrationally,whileFighteristheemotionalkind.Theystartedhavingsomeanimositywitheachother,butdevelopedacloserelationshiprightafter.SaifahisapopularmusicianandisoftenengagedinmischievouswhileZonisshyyetstubborn.Heisalsoasci-fiwriter.
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拉乌尔·沃尔什
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Walshoffre1westernroutinierauxtouchesexotiquesdans1contréeinexplorée.Mêmesaplasticitémiseenexergueparlapicturalitédesdécorsnaturelsrenduspalpablespar1Technicolorflamboyanten’apaspusauverlamièvreriescénaristiquedépourvuedetoutepoesie
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SetinasmallQuebectowninthelate-1920′s,thisemotionaldramafollowsthelifeandexploitsofCelesteBeaumont,atalentedyoungpianistwhogainslocalcelebrityatthetownmovietheaterforhergiftsasasilentfilmpianist.AwkwardPierreBlaudellisherbiggestfanandeventuallymarriesher.Shortlyafterthisshebearshisson,Pierre,whojoinsthearmy.S...
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迈克尔·柯蒂兹
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Doctor X (1932) is a First National/Warner Bros. horror and mystery film. Based on the play originally titled The Terror (New York, February 9, 1931) by Howard W. Comstock and Allen C. Miller,[1] it was directed by Michael Curtiz and stars Lee Tracy, Fay Wray, and Lionel Atwill. The film was produced before the Motion Picture Production Code was enforced. Themes such as murder, rape, cannibalism and prostitution are interwoven into the story. The film was one of the last films made, along with Warners' Mystery of the Wax Museum (1933), in the two-color Technicolor process. Black and white prints were shipped to small towns and to foreign markets, while color prints were reserved for major cities. PS. The Return of Doctor X (1939) link
