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Filming has begun for Us, BBC One’s four-part drama adapted by David Nicholls from his hugely popular novel of the same name. Tom Hollander (Baptiste, The Night Manager) will be joined by Saskia Reeves (Luther, Shetland), Sofie Gråbøl (The Killing, Fortitude), Tom Taylor (Doctor Foster, The Dark Tower), Iain De Caestecker (Agents of S.H.I.E.L.D, The Fades) and Thaddea Graham (Curfew, The Letter for the King), with casting by Sarah Crowe. It is produced by Drama Republic and Bandstand Productions. Douglas Petersen (Tom Hollander) is blindsided when his wife Connie (Saskia Reeves) tells him that she’s not sure she wants to be married to him anymore. Agreeing to still go on their planned family grand tour of Europe, Douglas vows to win back the love of his wife and repair his troubled relationship with their son Albie (Tom Taylor). Reflecting David Nicholls' signature mix of humour and heartbreak, Us brings the Petersens' poignant and often hilarious story to life, taking viewers with them on their once-in-a-lifetime journey through some of the most beautiful cities in the world. David Nicholls says: “It’s a huge thrill to see the novel come to life, and with such a wonderful cast and production team. We want to make something funny, touching and beautiful, to really explore marriage and family life, all against this incredible backdrop.” Tom Hollander and Hannah Pescod say: “We are delighted to be working with Drama Republic and the great David Nicholls in bringing his beautiful novel to BBC One. The trials of the Petersens will strike a chord with many - a family tale for our times.” Piers Wenger, Controller of BBC Drama, says: “We feel so honoured to be bringing David’s beautiful novel to BBC One and to have the brilliant Tom Hollander and Saskia Reeves playing the leading roles. We are thrilled to work with David and Drama Republic once again and also with Bandstand Productions on their debut drama for the BBC.” Greg Brenman and Roanna Benn, Executive Producers for Drama Republic, say: “David Nicholls is a unique and rare talent who miraculously manages to intertwine profound emotion with full-on humour. This glorious adaptation has attracted an exceptional cast in Tom Hollander, Saskia Reeves and Sofie Gråbøl. We couldn’t be more excited to begin filming.” Us is executive produced by Greg Brenman and Roanna Benn for Drama Republic, Tom Hollander and Hannah Pescod for Bandstand Productions, Jo McClellan for BBC One and David Nicholls. It is directed by Lisa Siwe (Temple, Modus) and distributed internationally by BBC Studios. Filming will take place in London, Amsterdam, Venice, Barcelona and Paris.

MartinEllingham,aLondon-basedsurgeon,relocatestothepicturesqueseasidevillageofPortWenn,establishinghimselfasthearea'sgeneralpractitioner.HegrewupintheareahavingbeenraisedbyhisnowwidowedAuntJoanNorton.HisreasonsforleavingLondonandthehigh-paidlifeofaconsultantarenotclearinitiallybutrelatedtoaphobiahehasrecentlydeveloped...

Thehalvesoftwobodies,onebelongingtoafemaleSwedishpolitician,arediscoveredinthemiddleoftheØresundBridge,whichconnectsCopenhageninDenmarkwithMalmöinSweden.Thebody,cutinhalfatthewaist,hasbeenplacedpreciselyontheborderbetweenthecountries,thusfallingunderthejurisdictionofboththeDanishandSwedishpoliceagencies.Afterfurtherexamination,itturnsoutthatthebodyisthatoftwoseparatecorpses,withonehalfbelongingtoaDanishprostitute.SagaNorén,fromtheSwedishside,andMartinRohde,fromtheDanish,leadtheinvestigationtocatchthemurderer.[4][5]Theinvestigationquicklyescalatesasajournalist,DanielFerbé,whosecarwasusedinthecrime,beginsreceivingphonecalls.Thecaller,whobecomesknownasthe"TruthTerrorist",claimstobecommittinghiscrimesinordertodrawattentiontovarioussocialproblems.Asocialworker,StefanLindberg,whosesisterbecomesavictimoftheTruthTerrorist,becomesanearlysuspect.However,eventssoonleadtheDanishandSwedishteamstoconcludethatthekillerhasconnectionstothepolice.Theydiscoverthatthecrimeshavebeenplannedoveraperiodofseveralyears.ThetraileventuallyleadsthemtoJens,aDanishpolicemanandformerclosefriendofMartin’s,whowasthoughttohavecommittedsuicideafteranaccidentonthebridgecausedthedeathsofhiswifeandson.Inthecourseoftheinvestigation,MartinandSagadevelopacloseworkingrelationship,althoughtheyareverydifferentpeople.Martinhasatwenty-yearoldsonfromhisfirstmarriage,August,whoisnowlivingwithMartinandhiscurrentwife,Mette,bywhomMartinhasthreechildren;afterMartinhashadavasectomy,Mettediscoversthatsheisexpectingtwins.Sagalivesaloneanddoesnotseemtofeelsheneedsaseriousrelationship,insteadpickingupmeninbarsforcasualsex.SheappearstohavesymptomsconsistentwithAspergersyndrome,resultingindifficultyestablishingrelationshipsandfeelingsofinadequacyinmanagingpeople;sherefusesapromotionforthislatterreason.Afterthekillerhasmurderedseveralpeopleandsuccessfullythrownredherringsinthewayoftheinvestigation,histruepurpose-tostrikeatMartinhimself-eventuallybecomesclear.Jens,nowcallinghimselfSebastianSandstrod,firstapproachesMette,whoissusceptibletohisadvances,afterlearningthatMartinhassleptwithCharlotteSöringer,awomanwhoisperipherallyinvolvedintheinvestigation.SebastianluresMetteandherchildrentoaremotespotwherehesubjectsthemtoaterrifyingordeal,lockingtheminwitharoomandgivingherahandgrenadewithitspinremovedtoholdaslongasshecan.However,SagarealisesthatAugustistherealtarget.Theinvestigationculminatesinaconfrontationonthebridge,whereshecannothelpbuttellMartinwhathappenedtoAugustandhastofireathiminordertopreventhimdestroyinghiscareerbykillingSebastian,thekiller’sfinalintention.

Covert black ops and espionage take a back seat to zany personalities and relationships between secret agents and drones.

InseasonsixoftheBritishespionagethriller,theteamarepushedtotheirlimits,astherelationshipbetweenBritishandAmericansecuritydeterioratesandloyaltieschange.AdamandRosfightagainstanemergingterroristthreat,andadeadlyvirusthatcoulddecimateLondon.Thisseasonbreaksawayfromthecase-by-caseepisodicformat,withonedominantstorylinetyingalltheactiontogether.

This final series chronicles Harry’s epic rollercoaster ride as he begins to lose grip on his empire, alongside the fortunes of all those whose lives he has touched. London, 1928. Nine years have passed and Harry Selfridge is at the pinnacle of his wealth and celebrity and enjoying the frenzy of the roaring 20s. But in this buzzing, fast-e册ving world, Harry is splashing his cash in an unprecedented, dangerous way. As he parties and gambles with stage stars, the Dolly Sisters, and pursues risky new business ventures, the trials and tribulations of our other much loved characters, and a handful of newcomers, also unfold. Lady Mae returns to London to rebuild her life whilst Mardle and Grove thrash out their differences, and Kitty and Frank embark on the biggest challenge to their relationship yet.

冬天,蒂妲絲雲頓拜訪落腳於法國小山村四十餘年的挚友約翰伯格,兩人散步於靄靄白雪的村莊!或深或淺地,在小屋中聊起童年記憶與歷史承接。春天,透過凝視動物,經歷一場人類與動物關係的思辨。炎天,於山村中跟三兩藝術家漫談當代政治,佐以舊時影片!音樂,摸索藝術怎样述說政治。秋日,蒂妲再度帶著孩子拜訪約翰以及約翰之子,在視野遼闊的山村生涯中,發現傳承的意念存在於所觀看的每一片風景。四部短片象徵四序的更迭,而山村的風景!動物!生涯則是年復一年的循環,體現約翰口中[無窮延长的此時现在]。他的思惟及人生觀與陈旧的農舍!青葱的綠地!放牧的牛群相呼相應,說著這個天下方圆人物风物的故事,阿爾卑斯山裡的小村莊,則是最诱人的舞台。（以上來自2016台北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 - Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html

DIHumphreyGoodmanandhisteamarebacksolvingincreasinglypuzzlingmurdersonthebeautifulislandofSaintMarie-fromabodyona册canotoatwo-partstorywhichtakestheteamtoLondon.Butit’snotjustthecrimewhichistroublingHumphrey-ashisrelationshipwithMarthablossoms,willthecour搜索引擎优化ftrueloverunsmoothly?MeanwhiletheteamareconcernedforSergeantFlorenceCassellwhenanoldfriendisfounddead.Dwayneisforcedtoconfronthispast,JPturnstoDwayneformarriageguidanceandSelwyn’sinterventioninacaseputsCatherineatthecentreofthemayoralelections.Thesixthseriesofthehugelypopularshowdeliversitsusualrecipeoffun,emotionandintrigue-withafewsurprisestoo-allservedupinthegloriousCaribbeansunshine.

Sevilla,1920.Teresa,unamujerdecuarentaaos,llegaaSevillahuyendodelmisteriosoasesinatodelembajadorespaolenLisboaytraslapistadeunnombre:RobertaLuna,unaalumnadelaacademiadeseoritasdelaciudad.Intentandorecabarinformaciónsobrelajoven,TeresadecidehacersepasarporprofesoraysolicitaplazaenlaAcademia.TrassorprenderalanuevadirectoraManuelaporsusideasprogresistasysunuevamentalidad,Teresaconsigueelpuestoypasaaserunamásenelplanteldeprofesorasdelaacademia.Sinembargo,notodovaaserigualdefácilparaTeresa,yaqueallíseencuentraconlaoposicióndesucompaeramásexperimentada,Luisa,yladesmotivacióndeunasalumnasquenuncahanrecibidounaeducaciónquelesayudeapensaryavalerseporsímismas.

冬天,蒂妲絲雲頓拜訪落腳於法國小山村四十餘年的挚友約翰伯格,兩人散步於靄靄白雪的村莊!或深或淺地,在小屋中聊起童年記憶與歷史承接。春天,透過凝視動物,經歷一場人類與動物關係的思辨。炎天,於山村中跟三兩藝術家漫談當代政治,佐以舊時影片!音樂,摸索藝術怎样述說政治。秋日,蒂妲再度帶著孩子拜訪約翰以及約翰之子,在視野遼闊的山村生涯中,發現傳承的意念存在於所觀看的每一片風景。四部短片象徵四序的更迭,而山村的風景!動物!生涯則是年復一年的循環,體現約翰口中[無窮延长的此時现在]。他的思惟及人生觀與陈旧的農舍!青葱的綠地!放牧的牛群相呼相應,說著這個天下方圆人物风物的故事,阿爾卑斯山裡的小村莊,則是最诱人的舞台。（以上來自2016台北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 - Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html