Paull
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乔·林奇
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Justdaysago,ElizabethDerby(HeatherGraham)wasasuccessfulpsychiatristwithalovinghusbandandtheworldatherfingertips.Now,shefindsherselflockedupinsideapsychwardafterthemurderofayoungmalepatienttowhomshehadaninexplicable,almostotherworldlyattraction.Hopingtoclearhername,Elizabethconfidesinherdoctorandrecountswhathappened,givingwaytoabizarreanddisturbingtaleofsexualmadness,supernaturalhorror,andhomicidalrage.Thedeeperthestorygoes,themoreunhingedandcarnage-ladenlifebecomes,notjustforElizabethbutforeveryoneinherpath.Inthiscinematiclovelettertothelate,greathorrorfilmmakerStuartGordon(Re-Animator,FromBeyond),thego-for-brokeindieveteranJoeLynchprovidesanunpredictableanddelightfullypervertedgifttofansofeverythingfromeroticthrillerstobodyhorrorandH.PLovecraft-mindedcosmicmayhem.WrittenbyRe-AnimatorscribeDennisPaoli,producedby‘80shorrormavenBrianYuzna(Society),andco-starringRe-AnimatorMVPBarbaraCrampton,SuitableFleshwillbecatnipforthosewholiketheirhorrorequalpartsclassicallymindedandprogressivelyunclassifiable.源自：https://www.tribecafilm.com/films/escape-from-tribeca-suitable-flesh-2023
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WilliamThornhill,anilliterateThamesbargemanandamanofquicktemperbutdeepfeelings,stealsaloadoftimberandistransportedtoNewSouthWalesin1806.Likemanyoftheconvicts,hespardonedwithinafewyearsandsettlesonthebanksoftheHawkesburyRiver.PerhapstheGovernorgrantshimthelandorperhapshejusttakesit-theHawkesburyisattheextremeedgeofsettlementatthattimeandnormalrulesdontapply.Howeverhegetstheland,itsprimeriverfrontacreage.Itlookscertaintomakehimrich.Theresjustoneproblemwiththatland:itsalreadyowned.ItsbeenpartoftheterritoryoftheDarugpeopleforperhapsfortythousandyears.Theyhaventleftfencesorroadsorhouses,buttheyliveonthatlandanduseit,justassurelyasThornhillsplanningtodo.Theyarentgoingtohandovertheirlandwithoutafight.Spearsmaybeprimitiveweapons,butsettlersknowthattheycankillamanassurelyasaballofleadfromamusket.Asherealisesallthis,Thornhillfacesanimpossiblechoice.Someofhisneighbours-SmasherSullivan,SagittyBirtles-regardtheDarugashardlyhuman,savageswithaslittlerighttolandasadog.WhentheDarugobjecttobeingdrivenoff,thosesettlershavenocompunctioninshootingorpoisoningthem.Otherneighboursmakeadifferentchoice,andfindwaystoco-existwiththeDarug.Blackwoodhasmadeafamilyamongthem.MrsHerringgivesthemwhentheyask.Hostilitybetweenblacksandwhitesgraduallyescalates.FinallyagroupofsettlersdecidestogooutandsettletheDarugforonceandforall.WillThornhilljointhem?Thedecisionhemakesiswithhimfortherestofhislife.
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Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
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Witnesses is a simple, yet powerful moving trilogy, depicting the horrors of the Holocaust. Each story in the film provides an unusual, yet harrowing perspective on the tragic events during World War II, told from the perspective of three uncanny witnesses. Shoes, the shortest of the stories, does not have a single line of dialogue or even a face featured in it. All we see is a pair of red shoes which beautifully depict first love, then marriage, the start of family life and the onset of the tragic war. Brutus, is a story about a German Shepherd dog separated from her beloved mistress and turned into a guard dog at a concentration camp. The final story, Violin, opens at the beginning of the 20th Century in a violin shop, where the instrument was created as a present for a Jewish boy. The violin becomes witness to the tragic events that followed during the Holocaust. A captivating score, makes this less than conventional film expose the sheer evil and terror that pervaded every aspect of the Holocaust, and is sure to open the eyes of everyone who sees it.
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玛丽（汉娜·许古拉 Hanna Schygulla 饰）爱上了名叫埃里希的男人，可是埃里希眼里只有钱。为了能够赚钱，埃里希甚至怂恿玛丽去做妓女。保尔（Rudolf Waldemar Brem 饰）和海尔共度了浪漫的一夜，可是保尔只将它当做是交易罢了，然而海尔怀孕了，被逼无奈的保尔只得和海尔结婚。 罗西（埃尔加·索尔巴斯 Elga Sorbas 饰）渴望成为一名演员，可如今她离自己的梦想依然十分遥远，为了维生，罗西还要出卖自己的肉体，来换取微薄的金钱。这些人都住在伊丽莎白（伊尔姆·海尔曼 Irm Hermann 饰）的房子里，伊丽莎白是一个冷酷无情的女人。这一天，伊丽莎白的屋子里来了一个名叫岳格思（赖纳·维尔纳·法斯宾德 Rainer Werner Fassbinder 饰）的希腊人，他的到来打破了在此处维系的微妙的平衡。
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LovingHighsmithisauniquelookatthelifeofcelebratedAmericanauthorPatriciaHighsmith.Thefilm’snarrativeisbasedontheunpublisheddiariesofthebestsellingnovelist.Focusingonherquestforidentityandhertroubledlovelife,thefilmshedsnewlightonherwriting.Family,friends,herownvoiceandbeautifullyinterweavedarchivematerialdrawavividportraitofoneofthemostprolificfemaleauthorstodate.Highsmithwroteover22novels,manywereadaptedtothebigscreen:bestknownareStrangersonaTrain,adaptedbyAlfredHitchock,TheTalentedMr.RipleyadaptedforthescreenbyRenéClément,WimWendersandAnthonyMinghella,andCarol,apartlyautobiographicnovelonalesbianlovestory,byToddHaynes.
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A retired priest hunted by his sins is pulled back into darkness when a friend begs him to help his possessed daughter.
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年青女孩露西·克莱沃（Chloé Coulloud 饰）在某关照机构找就任务,她下班的第一天等于前去一幢位于郊野密林深处的陈旧别墅,照看在那边堕入深深苏醒并依附医疗装备保持性命的前芭蕾舞先生德博拉·杰塞尔（玛丽-克劳德·皮塔卡拉 Marie-Claude Pietragalla 饰）。传说这幢别墅里藏着无价之宝的法宝,露西在男友人威廉（Félix Moati 饰）的鼓动下,跟他们的友人本（Jérémy Kapone 饰）在一个万圣节的晚上潜入别墅寻宝。但是经由一番寻觅后却发明,别墅内除了杰塞尔夫人好像另有其余人的存在,而那恰是夫人本应早已逝世去的女儿。 匪夷所思的恐惧变乱接连产生,露西他们将阅历了长生难忘的一夜……
