Carol
搜索"Carol" ，找到 以下影视作品
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BLAZEYOUOUTfocusesonayoungwoman'sjourneytofindhermissingsisterintheheartofabrutalunderworldcontrolledbytheherointrade.ThestorytakesplaceinthebeautifulEsperanzaValleyinNorthernNewMexico,abasinwhichbeliesanunderlingsickness,asinisterinsidiousspiritualdownfallcausedbydecadesofdruguse;buttheprotagonist'sjourneyintothisb...
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CAROLE&TUESDAY动画全集是由渡边信一郎担任总监督、堀元宣担任监督、Bones制作的原创电视动画作品，于2019年4月10日播出。故事讲述了距离人类移居到新的基地火星已经过了50年。这个时代中大多数的文化均有AI创造，人类只需要享受即可。有一位女孩。在首都阿尔巴市努力生活，在工作之余的空闲时间努力成为一名音乐家。她总觉得缺少些什么。她的名字是Carole。有一位女孩。出生在赫舍尔市的富裕家庭，她的梦想是成为一名音乐家，但是周围却没有人能够理解她的想法。她觉得自己是全世界最孤独的人。她的名字是Tuesday.一个机遇促使两人相遇。她们希望歌唱。她们希望放声。如果是两个人一起的话，她们就觉得有机会能做到。她们也许只会掀起微小波澜。但这微小的波澜却可能会化作巨浪..
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雅克·范·多梅尔
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平民家庭的托托（ThomasGodet饰）与隔壁富人家庭的阿尔弗雷德（HugoHaroldHarrison饰）在同一家医院同一天内出生。托托坚信，因为医院的一场大火，导致他们两个婴儿被父母抱错。本该属于他的优渥生活被阿尔弗雷德夺去，当然，每当他提及此事时不免遭受阿尔弗雷德的一顿老拳。随着父亲的意外去世，托托对阿尔弗雷德一家的嫉恨逐渐加深。憎恨并未令他得到满足与补偿，反而使他的一生永远笼罩在阴影之中……本片荣获1991年戛纳电影节青年奖最佳外语片奖、1992年法国凯撒奖最佳外语片奖、1991年欧洲电影节最佳男主角（MichelBouquet），最佳摄影，最佳剧本和青年电影奖、1992年葡萄牙奇幻国际电影节最佳影片和最佳剧本。
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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乔丹·亚历山大
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惠特尼·皮克
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米歇尔·崔切伯格
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伊莱·布朗
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乔尔·韦斯特伍德
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阿什莉·诺斯
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Natalie
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Shaw
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Gretchen
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Allison
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Alex
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Anagnostidis
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Denia
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Aponte
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Isa
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Barrett
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Jac
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Bernhard
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Naomi
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Castellano
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Anthony
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Cipriani
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Victorya
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Danylko-Petrovskaya
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Dominique
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Gatlin
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Anthony
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Gullotta
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David
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Negri
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Booch
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O'Connel
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It'sthesecondsemesterofJunioryear,andGossipGirlisleavingnostoneunturnedinherefforttocontrolthescandalouslivesofManhattan'selite.She'slearnedathingortwofromherfirstgo-round-namelywhatheraudiencewants,theyshallget.It'stimeforhertoturntheheatuponwhat'sbeensimmering.Oldenemies,newallies,constantlyshiftingsands-thiss...
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彦斯·阿尔比努斯
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西蒙·本尼杰格
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米凯尔·比克耶
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米克尔·福尔斯加德
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Svend
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Hardenberg
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莫滕·基尔斯果
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西瑟·巴比特·科努德森
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Lars
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Knutzon
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Angunnguaq
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Larsen
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索伦·莫灵
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拉斯·米克尔森
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马格努斯·米兰
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彼得·米金特
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Laura
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Allen
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Müller
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西涅·埃格霍尔姆·奥尔森
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Nivi
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Pedersen
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达伦·佩蒂
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厄兹勒姆·萨格拉马克
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BirgitteNyborg,herstaffandthemediataskedwithcoveringher,thistimeinherroleasMinisterforForeignAffairs.
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MereDadKiMarutiisanoutrageouscomedysetagainstthebackdropofaloudPunjabiweddinginChandigarh,directedbyAshimaChibberstarringSaqibSaleemandRamKapoorinleadroles.Ittellsthestoryofaboywhosneakshisdad’sfancynewcarouttoimpressthecollegehottieplayedbyRheaChakraborty.AllhellbreaksloosewhenSameermanagestolosethecar!
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改编自爆款《我的错误》三部曲作者MercedesRon的另一部Wattpad热作《Dímelobajito(SayIttoMeSoftly)》。FallinlovewiththeDiBiancobrothers.Yourbestfriends.Yourbiggestdownfall.KamilaHamiltonhadeverythingundercontrol...orsoshethought:itwasnotatallinherplansfortheDiBiancobrotherstoreturnonceagainandturnherworldupsidedown.Thiagowasherfirstkiss.Taylor,the...
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恩斯特·刘别谦
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Haunted by the memory of Walter Holderlin, a soldier he killed during World War I, French musician Paul Renard (Phillips Holmes) confesses to a priest (Frank Sheridan), who grants him absolution. Using the address on a letter he found on the dead man's body, Paul then travels to Germany to find his family. As anti-French sentiment continues to permeate Germany, Dr. Holderlin (Lionel Barrymore) initially refuses to welcome Paul into his home, but changes his mind when his son's fiancée Elsa identifies him as the man who has been leaving flowers on Walter's grave. Rather than reveal the real connection between them, Paul tells the Holderlin family he was a friend of their son, who attended the same musical conservatory he did. Although the hostile townspeople and local gossips disapprove, the Holderlins befriend Paul, who finds himself falling in love with Elsa (Nancy Carroll). When she shows Paul her former fiancé's bedroom, he becomes distraught and tells her the truth. She convinces him not to confess to Walter's parents, who have embraced him as their second son, and Paul agrees to forego easing his conscience and stays with his adopted family. Dr. Holderlin presents Walter's violin to Paul, who plays it while Elsa accompanies him on the piano. The film's original title, The Man I Killed, was changed to The Fifth Commandment to avoid giving wrong impressions in the minds of the public about the character of the story. It ultimately was released as Broken Lullaby.
