Ekin
搜索"Ekin" ，找到 以下影视作品
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丹泽尔·华盛顿
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影片改编自小说《对不起，来不及陪你长大》，讲述了普利策获奖记者戴娜·坎纳迪（DanaCanedy）和军官查尔斯·门罗·金（CharlesMonroeKing）的真实爱情故事。查尔斯在海外服役期间为防止在战事中阵亡，给他们刚刚出生的儿子乔丹写下了一封家书，旨在告诉他在没有父亲的成长过程中如何过上体面的生活，同时也包含了深刻的人生感悟，以及一个父亲对他从未谋面儿子的忠告和祈祷。
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三個女人、一個即將出世的嬰兒，與一場「母親」身分的交易。一對富裕的夫婦來到僻靜的農場，一對母女住在這，未成年的女兒懷了孕，見不得人。她們協議－－不孕的少婦住在這等孩子出世，待少女生產以後，她便帶走嬰兒，未婚小媽也能「解決」孩子，重啟新生活。隨著這個誰都不屬於的小生命即將降臨，三人的壓力逐解膨脹，看似完美的計畫也一點一點裂解……Aweatheredwomanandheroddteen-ageddaughterliveinisolationonadesolatefarminSouthKorea.Anaffluentcitywomancomestothemseekinghelpwithasensitivematterandthethreewomensoonfallintoanewrhythmoflifetogether,eachworkingtofillavoidwithin.However,astheirverydifferentpathsconverge,theirdealbecomesmorethanwhattheybargainedfor.-WrittenbyAnonymous
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In hope of getting his hands on the famed diamond known as the Codix Stone, Jack Wells joins a group of archaeologists out to explore a newly discovered tomb in Egypt, that of the cursed king Neferu. When the Mummy of the king returns from the dead seeking human victims, Jack is in for the most horrifying experience of his life.
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米夏埃尔·艾斯
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Paris,1981.ThewindsofchangeareblowingonelectionnightandtheFrenchstormthestreets,elated.ButÉlisabeth(CharlotteGainsbourg)strugglestosharethegeneralmoodofoptimism.Hermarriageiscomingtoanendandshewillnowhavetosupportherfamily.Sheisdistraught,andherfatherandteenagechildrenareworriedthathertearssimplywillnotdry.Butwhatiflisteningtoheremotionscouldhelphertostartfillingtheblankpageofherfuture?Whatifsheweretowritealetteronawhimtothehostofherfavouriteradioprogramme?Orinviteahomelessgirlintoherhouse?Whatwouldhappenifsheweretomakethekindofgesturesthatactuallychangelives?Inthisfollow-uptothebeautifulAmanda,MikhaëlHersdirectshishypersensitivegazeatthe1980sandtheseeminglymundanemomentsinonefamily’slifethatshapeindeliblememories.Alargenumberofcharacterspopulatesthisnostalgicsagaofself-invention.Thedirectorhonourstheirvulnerabilityandkindnessinawaythatstandsoutinacinematiclandscapemoreoftenfascinatedbydisillusionedantiheroes.Thisisfilmatitsmostprofoundlyintimateandmesmerising,thekindthat,whenwereflectonhowwefunctionasasociety,givesusanideaofwhylovematters.
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皮奥特尔·舒尔金
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耶日·斯图尔
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克里斯提娜·杨达
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卡里娜·谢鲁斯克
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马里乌什·德莫霍夫斯基
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马雷克·瓦尔切夫斯基
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扬·诺维茨基
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亨里克·比斯塔
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莱昂·涅姆奇克
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克兹佐夫·马扎克
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斯坦尼斯瓦夫·伊加尔
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
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DiableroiscenteredaroundFatherRamiroVentura,afallenpriestwhofindshimselfseekingtheaidoflegendary"diablero"ordemonhunterElvisInfante.WiththeaidofNancyGama,amoderndaysuperhero,thisimprobabletriosetsinmotionaseriesofeventsthatcoulddeterminethefateofmankind.Writtenbyahmetkozan
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内详
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Settobroadcastintwoone-hourfilms,thisfamilytreatisinspiredbytheclassicbooksofBarbaraEuphanToddandispeggedtobetheTVeventoftheseason.MackenzieCrookhastakenScatterbrookfarmandtheinfamouscharactersofthiswell-lovedtaleandinjectedthemwithatenderandauthenticcharm.Thisistheperfectfamilyadventure,packedwithafun,mischievousspiritanddeliveredwithanenvironmentalmessage.MackenzieCrook,(PiratesOfTheCaribbean,Detectorists)whohaswritten,directedandstarsasWorzelGummidge,hasgatheredahostofbothaccomplishedandbrilliantactorswhoaresettoappearinthiseagerlyanticipatedadaptation.PlayingTheGreenMan,creatorofthescarecrows,whoarrivestoScatterbrookinepisodetwo,iscomedylegendSirMichaelPalin.Hesays:“It’salovelypartforme,butthewholescriptisverymemorableandtouching,andveryfunnytoo.Itquiteskillfullyweavesinsomethingforeverybodyallthetime.”ZoëWanamaker(MyFamily,HarryPotterAndThePhilosophersStone)willplaytheeccentriclocalaristocrat,LadyBloomsburyBartoninepisodetwo.Shesays:“Thewholethingissocharmingandinventive.It’sthesortofthingI’dwatch.I’msureitwillbeahugesuccess.Iknowitwill-it’sdivine.”VickiPepperdine(GettingOn,TheWindsors)takesontheroleoftheformidableAuntSallyinepisodeone.Shesays:“There’ssomethingforeverybody.It’sgotthishearttoit,andyou’dbehardpushedasanadultnottoengagewithit.”StevePemberton(LeagueOfGentleman,Benidorm)willplayMrBraithwaite,thefarmer.Hesays:“Thisisthekindofshowthewholefamilycanenjoytogether.Ithasalotofhumour,alotofvisualhumourtoo,andIthinkkidswillenjoywatchingthechildrenbeingcentraltothestory.”RosieCavaliero(GentlemanJack,CleaningUp)willplayMrsBraithwaite,sheadded:“It’sastoryabouttheimagination,andchildrenescapingintothisdifferentworld.Mackenzie’sversionistotallycontemporary.”OnestowatchIndiaBrown(HettyFeather)andThierryWickens(makinghisTVdebut)willplaySusanandJohn,twocitychildrenspendingtheirsummeratScatterbrookfarmwhoquicklybefriendWorzelandbeginasummerofadventures.Thefirstepisode,TheScarecrowOfScatterbrook,seestwoyoungstrangersarriveinthevillageofScatterbrook.It’snotlongbeforeSusanandJohnencounterWorzelGummidge,theScarecrowofTenAcreField.TheirworldissentspinningintoconfusionwhentheyrealiseGummidgecomestolife.TheonlypersonmoreshockedisWorzel,whenhediscoversthatthechildrenarenotinfactfellowscarecrowsbuthumans.Theirworldsshouldnevercommunebutfatehasconspiredtocreateanextraordinaryunion.Theseasonshavestoppedandtheharvesthasn’tarrived.Therhythmofthenaturalworldisoutofkilterandthisunlikelytriomusttrytoputitright.Magic,mysteryandmayhemunfurl.Thesecondepisode,TheGreenMan,welcomesanothermysteriousarrivaltoScatterbrook.TheGreenManisthecreatorofscarecrowsandkeeperofscarecrowlore.Heisn’tatallhappythatWorzelisconsortingwithhumans.Elsewhere,localaristocratLadyBloomsburyBartonisholdingafete,withaScarecrowcompetitionthatWorzelisdeterminedtowin.WhatwillTheGreenManandWorzel’smostcompetitiverival,SoggyBogartmakeofitall?WorzelGummidgeiswrittenanddirectedbyMackenzieCrookandisaLeopardPictures,TreasureTroveProductionsandLolaEntertainmentproductionforBBCOne.ItisExecutiveProducedbyKristianSmithforLeopardPictures,LisaThomasforLolaEntertainment,MackenzieCrookforTreasureTroveProductions,withrightsholdersPatrickD.PidgeonandEricS.RollmanexecutiveproducersforPidgeonEntertainment,Inc.ItisproducedbyGeorgieFallonandAlexMoodyistheCommissioningEditorfortheBBC.Furthercasting:FrancescaMills-EarthyMangoldTimPlester-ClartyColinMichaelCarmichael-SoggyBogartAndrewJamesSpooner-FlatAlistairPhilHulford-HannahHarrowTomMeeten-HMSOdneyChristopher-RobertBarlow-RagBagKiranShah-ChopperandRootBoundCharlieMayhew-RustleSprouterLucyMontgomery-JackiePuddingGusBrown-OswaldPollypopMalikIbheis-TrikeBenLangley-DriverMariamHaque-Receptionist
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翁贝托·伦齐
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UmbertoLenziisundoubtedlythekingofItaliancrimemovies,butunfortunately;SyndicateSadistsisnotthebestexamplesofhisworkinthisgenre.Lenzi’scrimeflickstendtobeacutabovetherestbecausehemakesfilmsbasedonstorieswithapoint,andtheydon’tlackdirection;butthisfilmfeelsabittoowaywardtofullyfitwiththerestofhisstuff.ThefilmtakesobviousinfluencefromSergioLeone’slandmarkwestern’AFistfulofDollars’(whichinturn,tookinfluencefromAkiraKurosawa’slandmarksamuraiflickYojimbo),inthatitfeaturestwowarringfamiliesandastrongcharacteratthecentre.ThecrimethatLenzifocusesoniskidnapping,andwecentreonacharactercalled’Rambo’.Ramboisdraggedintothewarbetweenthetwofamiliesafterhisbrotheriskilledbecauseofit.Rambouseshisbrainsandbrawntopitthetwofamiliesagainstoneanother,inthehopeofgainingrevengeforhisbrother’sdeath,rescuingayoungboythatthey’vekidnapped,andultimatelylettingthetwosidesdestroyoneanother.Thefilm’sbiggestassetisundoubtedlyTomasMilian.MilianwasputtogreatusebyLenziinalmostallofhiscrimethrillers.TherangeofcharactershehasplayedforLenziisimmense,andthisoneiseasilyoneofthecoolest.ThecharacteriscalledRambo,whichimmediatelysprangtomindthepopularSylvesterStallonecharacter-butforonce,theItaliansactuallyhaven’tstolenthisnameasSyndicateSadistswasreleasedfirst!Asusual,thefilmiswickedlyentertaining,aswegettowatchMiliangethimselfinvolvedintheusualarrayofcarchases,shootoutsandbrawls.Lenzihasgothimridingamotorbikethistimeround,andeveryscenefeaturingitandMilianisarealstandout!However,thefilmoftenfeelslikeitdoesn’treallyhaveanywheretogo,andthismeansthattherunningtimeisstretchedoutmorethanitshouldbe.ComparedtothecrimefilmsofotherItaliandirectors,SyndicateSadistsismorethanaboveaverage;butinrelationtoLenzicrimeflickssuchasAlmostHumanandTheCynic,TheRatandTheFist-itdoesn’tstandtallasoneofLenzi’sbest.Still,ifyou’relookingforninetyminutesoftestosteronefuelledmayhem-SyndicateSadistswillsuffice!
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Strangecravingsandhallucinationsbefallayoungcoupleafterseekingshelterinthehomeofanagingfarmerandherpeculiarson.
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Inspiredbytruelifeevents,intheOyoEmpireinthe1940's,ElesinOba,theking'schiefhorseman,succumbstothelureofbeautyandsexualdesireontheveryeveningheissettodieinordertofulfilhislifelongdebtofritualsuicidetoaccompanythedeadAlaafintotherealmoftheancestors,hederailsfromaveryimportantgenerationalandspiritualtransaction.Thissetsinmotionaseriesofcatastrophicconsequences,inaspell-bindingfilmofemotions,humour,andtragicrolereversalsthatputsancientbeliefsandcustomsontrialinaneverincreasinglypost-modernandWesternworld.
