Paudge
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布兰科·普莱沙
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1970年瑞士洛迦诺国际电影节最佳影片金豹奖.Ayoungteenagegirlissenttoanorphanagewhenshebecomestoomuchforhermothertohandle.Lilika(DraganaKalaba)issenttotheinstitutionafterhermother(TamaraMiletic)discoverssheisstealingfruitfromthelocalmarket.Sheisveryprotectiveofheryoungerbrotherandamentallychallengedfriend,andtakesalikingtohercounselor(BrankoPlesa).Shedreamsofhavinganordinarylifeandescapingthejuvenilehomesheregardsasaprison.Lilikafantasizesaboutherfutureasshehopesforawayoutoftheorphanage.Elevenyearsoldgirl,daughterofawomanaffectedbywar,feelssheisunneededinlifeofherfosterfatherandhermother.Fromcruelenvironmentandtwistedfamily,thejudgeandthejurywillfindHouseofcorrectionasheronlywayout,whichshedoesn’tregardasnewhome,butaspenalservitudeforchildren.
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In2262,EarthforceCaptainElizabethLochleyisappointedtocommandBabylon5.ThestationgrowsinitsroleasasanctuaryforroguetelepathsrunningfromthePsiCorps,resultinginconflict.G’Kar,formerNarnambassadortoBabylon5,becomesunwillinglyaspiritualiconafterabookispublishedthathewrotewhileincarceratedduringtheNarn-CentauriWar.TheDrakh,formeralliesoftheShadowswhoremainedinthegalaxy,takecontrolofRegentVirinionCentauriPrimethroughaparasiticcreaturecalledaKeeper,theninciteawarbetweentheCentauriandtheInterstellarAlliance,inordertoisolatetheCentaurifromtheAllianceandgainamalleablehomeworldforthemselves.CentauriPrimeisdevastatedbyNarnandDraziwarshipsandLondoMollaribecomesemperor,acceptingaDrakhKeeperunderthreatofthecompletenucleardestructionoftheplanet.(Portionsoftheendofhisreignareseeninvariousprescientvisionsthroughouttheseries;theyshowMollariandformernemesis(andlaterfriend)G’Karsixteenyearsinthefuturedyingateachother’sthroats,seeminglyoutoftheirgrudge.Itisgraduallyrevealedthattherewasamuchmorefriendlysubtext,withMollarihavingbecomeaslavetothedrakhruleandbeingtiredoflife;hisDrakhKeeperawakensandstranglesG’Karinreturn.VirCotto,Mollari’sloyalandmoremoralaide,succeedshimasemperor,freeofDrakhinfluence.SheridanandDelennmarryandmovetoMinbar,alongwiththeheadquartersoftheInterstellarAlliance.G’KarleavesBabylon5toescapehisunwantedfameandexploretherim.GaribaldialsomarriesandsettlesdownonMars.MostoftheothermaincharactersleaveB5.Nineteenyearslateronthevergeofdeath,SheridantakesafinaltriptotheobsoleteBabylon5stationbeforeitsdecommissioning.SheridanapparentlydiesbutisclaimedbytheFirstOnes,whoinvitehimtojointhemonajourneybeyondtherimofthegalaxy.Babylon5stationisdestroyedinademolitionshortlyafterSheridan’sdeparture,itsexistencenolongernecessaryastheAlliancehastakenoveritsdiplomaticpurposes.ThisfinalepisodefeaturesacameobyStraczynskiasthetechnicianwhoswitchesoffthelightsbeforeBabylon5isdemolished.
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The goal with CLOWNADO is to make a damned good, scary and splatter-filled, nonstop roller coaster ride of a Horror movie. It's something new, fresh, original and unique but also familiar. Using only Practical Special Makeup Effects and old school styled Visual Effects, CLOWNADO has the vibe of Classic Horror movies we love. Think Evil Dead, Dead Alive, Bad Taste and Texas Chainsaw Massacre if Lucio Fulci was directing, all mixed in a swirling storm of insanity. Now add in scary supernatural Clowns and the cinematic visual style known as FILM NOIR. - intense composition with shadow and light. - and a bit of that incredible John Carpenter suspense (John was also influenced by Noir classics). - and you have an Ambitious, Over the Top Gorefest Epic!. Don't judge a book by it's cover - This is certainly no comedy.
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ThekidsarebackforSeasonSixofMASTERCHEFJUNIOR,whichdebutswithaspecialtwo-hourpremiereFriday,March2(8:00-10:00PMET/PT)onFOX,andmakesitstimeperiodpremiereonFriday,March9(8:00-9:00PMET/PT).FormerMASTERCHEFandMASTERCHEFJUNIORjudgeandaward-winningrestaurateurJoeBastianichwillreturnasapermanentjudgeontheshow.Thehitculinarycompetitionseriesgivestalentedkidsbetweentheagesof8and13thechancetoshowcasetheirculinaryabilitiesandpassionforfoodthroughaseriesofdeliciouschallenges.
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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Agoodsolidfilmforonlyamilliondollarbudget.TheplotisbelievableandrightalongthesamelinesasMissionImpossible2...andthismoviecameout2yearsbeforeMI2.MaybeMI2sawthisandcopieditonabigscale.RonPearlmanisassinisterashealwaysisandClintHowardplaysthesamequirky,goofballheissogoodat.AnnabelleSchofieldandMorganBrittanyaresexyandfuntowatch.
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查尔斯·马修
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After his mother's death, Collin Fenwick goes to live with his father's cousins, the wealthy, avaricious, and controlling Verena Talbo, and her compliant, earthy sister Dolly. When a city slicker comes to town and convinces Verena to market Dolly's locally-famous tonic, Dolly finally gets some backbone, refuses to divulge the formula, and heads for a tree house with Collin and Catherine, the loyal maid. Verena, who has most of the town in her pocket, sics the law on the renegades. Dolly, Catherine, and Collin find a supporter in a retired judge, Charlie Cool, who's attracted to Dolly. Will Verena's venom win out? And what about that city slicker?
