Row
搜索"Row" ，找到 以下影视作品
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Angèle
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BelgianpopstarAngèlereflectsonherlifeandhopesasshefindsbalanceamidthetears,joysandlonelinessoffame.Toldthroughherownwords.
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马克·驰瓦汗
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MaxBrown将在《王室》第三季中扮演关键角色Robert王子。该剧从最开始就告诉我们：Robert王子死了……但是在第二季季终集，我们惊讶地发现Helena王后和Simon国王的长子竟然还活着。剧本进一步描述道：Robert王子是位仪表堂堂的、充满英雄气概的男人，他爱自己的国家，更爱自己的家庭……尽管这个家庭问题重重。他一直在躲避媒体的关注，同时也躲避自己的家人。当他突然死亡的消息公开之后（当初很有可能是Ted下令刺杀Robert），他的弟弟Liam王子被迫站到聚光灯下，顶替他成为王国的继承人。Helena、Liam和Eleanor正走向一条自我毁灭的道路，明白事理的Robert将帮助他们悬崖勒马。第三季的故事时间将跳跃到「谋害Simon国王的凶手TedPryce被愤怒的民众处决两周后」，Helena王后竭力证明Liam王子和Eleanor...
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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Afourteenyearoldgirlmeetsherunclewhohasneverreallyysgou.ccgrownup.
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一个年轻的拿破仑军官追踪一个神秘的女人而来到一个年迈男爵的城堡，在那里他发现这个女人是听命于一个老巫婆，其最终目的是迫使男爵自杀…… Roger directed for two days on a set left over from a previous production, and without a proper script. He hired Francis Coppola to write a script and finish the picture. After five weeks of shooting, Roger fired Francis, and hired me to finish the picture. Jack Hill was hired to write a new script with me. A lot of what Francis shot was thrown out, except for the stuff with the witch from WIZARD OF OZ. (Dorothy Newman), and I finished the picture in five days of shooting. All of the interiors are Roger's (with the exception of Francis's witch's lair), and most of the exteriors are mine. To the best of my recollection, and contrary to legend, Jack Nicholson did not direct any of the film.
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Lee-ithdreamsofbecomingacoolindierockmusician.Becauseofhiscompletedisregardforhisstudies,hismothersendshimtoanewschool,onethat'sacceptingmalestudentsforthefirsttimethisyear.Attendingaschoolwithgirlsforthefirsttime,hesetshimselfastrictruletokeeplovefromruiningfriendship.HeimmediatelyclasheswithstudiousPutterwhoendsupbeinghisroommate.However,asheandhisroommategrowcloser,hefindshimselfchallengedtofollowhisownrule。
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伊利亚·卡赞
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一位记者发现一个乡下人很能侃，便把他带到电视台上镜，结果赢得了大批观众。但这位意外走红的电视明星并不就此满足，他有很大的雄心壮志，想要在政坛上发光发热。 《码头风云》的编导再度合作，推出这部揭露媒体人物内心世界的作品。不过，这不是一部励志片。主演将小人物闯天下的内心刻画得入木三分。《登龙一梦》（A Face in the Crowd）是由伊利亚·卡赞（Elia Kazan）执导的电影，于1957年上映。巴德·舒尔伯格（Budd Schulberg）担任编剧，安迪·格里菲斯（Andy Griffith）、帕德里夏·妮尔（Patricia Neal）、安东尼·弗兰西欧萨（Anthony Franciosa）和沃尔特·马修（Walter Matthau）等主演。影片讲述了一个普通男子名叫拉里·“拉兹”·罗伦斯（Larry "Lonesome" Rhodes）的故事。起初，拉兹是一个无名的小镇吉他手，但通过电视节目的机缘巧合，他意外成为了全国范围内备受欢迎的电视明星。拉兹的个人魅力和直言不讳的性格吸引了众多观众，他迅速崛起为一位受人崇拜的公众人物。然而，随着拉兹的名声越来越大，他开始滥用权力，变得自私和冷酷。他利用自己的影响力来操纵观众的情绪和思想，为自己谋取私利。他的真实面目逐渐暴露出来，人们开始看到他那虚伪、自大和不择手段的本性。最终，拉兹遭到了他自己制造的灾难性后果的回击。《登龙一梦》通过对媒体、权力和人性的探讨，揭示了虚伪、欺骗和操纵的现实。影片提出了关于权力滥用和媒体控制的深刻问题，探索了个人道德与公众形象之间的冲突。它反映了社会上的权力游戏和舆论操控对个人和整个社会产生的影响。《登龙一梦》被认为是对电视媒体的警示，揭示了其潜在的危险性和对社会的影响力。该片在上映时并没有取得很大的商业成功，但随着时间的推移，它被重新评价并被视为一部具有深度和影响力的电影作品。安迪·格里菲斯的出色表演以及伊利亚·卡赞对社会问题的敏锐观察赢得了影评人和观众的赞誉。
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曾演出过《浴血黑帮PeakyBlinders》演员JackRowan以及新演员MasaliBaduza将主演BBC6集反乌托邦剧《Noughts+Crosses》，这部剧改编自MalorieBlackman的同名YA小说，剧本由TobyWhithouse﹑LydiaAdetunji﹑NathanielPrice及RachelDe-Lahay共同执笔，于南非开机拍摄。《Noughts+Crosses》男女主角是Sephy和Callum（JackRowan及MasaliBaduza饰演），Sephy来自黑人统治阶级「Cross」，父亲是著名政治家﹑Callum是低下白人阶层「Nought」；主角两人是青梅竹马，然而长大后他们关系变得复杂，同时间权力及偏见又想二人分开。其他演员包括PatersonJoseph﹑BonnieMbuli﹑KikeBrimah﹑HelenBaxendale﹑JoshDylan﹑ShaunDingwall﹑RakieAyola及JonathanAjayi。
