Took
搜索"Took" ，找到 以下影视作品
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詹姆斯·古恩
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仙颜的小镇先生斯黛拉（伊丽莎白·班克斯 Elizabeth Banks 饰）在母亲过世后掉掉落外地富豪格兰特（迈克尔·鲁克 Michael Rooker 饰）的多方照料,嫁给他后只管诸多不满,却仍然尽力成为一个及格的老婆。有次二人打骂后格兰特愤而出奔,被奥秘的外星生物侵入体内,第二日朝晨回家性格大变。于此同时,小镇的宠物狗开端奥秘掉落,曾与格兰特在酒吧一起喝酒的女孩布兰达（布兰达·詹姆斯 Brenda James 饰）也不见了踪迹。在发明白格兰特开端糜烂变异的脸后,惊骇的斯黛拉告急于小镇警长比尔跟众警察（内森·菲利安 Nathan Fillion 饰）,但世人均被吓坏,格兰特借此逃走。世人决议在四周农场猎捕格兰特,却没想到这竟招致了独特生物的大伸张,全部小镇都处于非常伤害之中。 本片被提名2007年美国科幻!理想及恐惧片子协会最佳恐惧片子奖,并获最佳化装土星奖。
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IntheaftermathofCatherinessuicide,DetectiveJohnCardinaloutwardlyacceptstheevidencethatshetookherownlife,butwhenhestartstoreceivetauntinggreetingcardsblaminghimforherdeath,hebeginstoquestionthesuicide.
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Afteralifeoflittlescams,aself-centeredmillennialissentencedtotakecareofhisgrandmother,whoisaffectedbyAlzheimer's.Asherealizestheextentofherwealth,theprotagonistgetsclosertothetreasurehe'sbeenlookingfor.
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HeidiKlumandTimGunnarebackatitinthisglobalfashioncompetitionseries,whereestablisheddesignersfromaroundtheworldcompetetobethenextgreatfashionbrand.Eachweek,winninglookswillbeavailabletobuyonAmazonintheMakingtheCutstore,andthelastdesignerstandingwillreceiveonemilliondollarstoinvestintheirbrand.
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Platinum-selling singer, A-list actress and new Mom, Beyoncé Knowles is a superstar with no limits. From Destiny's Child to her relationship with Jay-Z - and birth of their baby Blue Ivy - she's become an ever-evolving woman who can seemingly do no wrong. Featuring exclusive interviews with her family and inner circle of friends, Beyonce: Baby and Beyond provides an in-depth look at what drives this diva's passion for life!
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TheradicalhonestyofthebooksbyyoungadultfictionpioneerJudyBlumechangedthewaymillionsofreadersunderstoodthemselves,theirsexuality,andwhatitmeanttogrowup,butalsoledtocriticalbattlesagainstbookbanningandcensorship.源自：https://festival.sundance.org/program/film/638a1a91d406b20bd7f2d581
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
