Nathan
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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服部光則
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ThebeautifulShizukaHimanokihasbeensavingherselfforaboyshemettwelveyearsago.Theymadeapromisebackthen,andshe’sdeterminedtokeepit.Butwhenshefinallytrackshimdown,shecatcheshimintheactwithanotherwoman.Wherecananineteen-year-oldvirginturnforsolace?
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Amazon rainforest, 1538. King Carlos V de España y I de Alemania sends a group of Spanish soldiers to the new continent to locate Teziutlan, a legendary city created with gold, to claim it to the Spanish Empire. Alone in the rainforest and without a help, soldiers face not only indigenous tribes but the manifest hate themselves by their respective birth places. Leaded by old Don Gonzalo, married with young Doña Ana, his aging and weak health turns in danger Ana, who is disputed by Alférez Gorriamendi, Gonzalo's right-hand, and soldier Martín Dávila. After to realize that Viceroy of Port Prince has send another expedition looking for them leaded by Juan Medrano after to accuse Don Gonzalo of treason, Dávila, Gorriamendi and other soldiers as Sargento Bastaurrés and Barbate must decide if fight against Medrano's and his men or continue until Teziutlan. But the rivalry and hate between them will reveal more dangerous than the own rainforest and the indigenous tribes
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恩斯特·刘别谦
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Haunted by the memory of Walter Holderlin, a soldier he killed during World War I, French musician Paul Renard (Phillips Holmes) confesses to a priest (Frank Sheridan), who grants him absolution. Using the address on a letter he found on the dead man's body, Paul then travels to Germany to find his family. As anti-French sentiment continues to permeate Germany, Dr. Holderlin (Lionel Barrymore) initially refuses to welcome Paul into his home, but changes his mind when his son's fiancée Elsa identifies him as the man who has been leaving flowers on Walter's grave. Rather than reveal the real connection between them, Paul tells the Holderlin family he was a friend of their son, who attended the same musical conservatory he did. Although the hostile townspeople and local gossips disapprove, the Holderlins befriend Paul, who finds himself falling in love with Elsa (Nancy Carroll). When she shows Paul her former fiancé's bedroom, he becomes distraught and tells her the truth. She convinces him not to confess to Walter's parents, who have embraced him as their second son, and Paul agrees to forego easing his conscience and stays with his adopted family. Dr. Holderlin presents Walter's violin to Paul, who plays it while Elsa accompanies him on the piano. The film's original title, The Man I Killed, was changed to The Fifth Commandment to avoid giving wrong impressions in the minds of the public about the character of the story. It ultimately was released as Broken Lullaby.
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精力病学家卡拉（朱丽安·摩尔 Julianne Moore 饰）不信任存在多重品德症,她父亲（杰弗里·迪马恩 Jeffrey DeMunn 饰）却让她诊断一个多重品德的奇异病例。病人大卫（乔纳森·莱斯·梅耶斯 Jonathan Rhys Meyers 饰）性情平跟,但在接到德律风后霎时就变为特性彪悍的亚当。百思不得其解的卡拉驱车前去品德大卫的旧居,得悉真正的大卫多年前就未然逝世于一同诡异的行刺。卡拉急切地想找出亚当与大卫的关系,却同时发明本人的共事新奇逝世亡,遗体背上也涌现了与亚当/大卫背上类似的十字架。看似简略的医学病例霎时被覆盖上了灵异天下的暗影,就连卡拉的父亲都难逃咒骂。这此中的本相毕竟是什么呢！
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大卫·M·罗森索
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成功的政治说客的莉亚（桑娜·莱瑟SanaaLathan饰）与前男友大卫（摩里斯·切斯塔特MorrisChestnut饰）分手后，与极富魅力的陌生男子卡特（迈克尔·伊雷MichaelEaly饰）陷入热恋，但这位梦幻男友却与一系列噩梦般的事件有关。莉亚意识到自己处于危险之中，她该如何摆脱卡特的纠缠？前任和现任男友，谁才是她的完美男人？
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AnalienamoebacrashestoEarthandmutatesaquaticlifealongtheshoresofNorthCarolina,unleashinganelectrifiedoctopusthatterrorizesaseasideresort.Twospecialoperativestrytostoptheshockwaveofcosmiccarnage.
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TheResident‘sprognosisisgood:FoxannouncedMondaythatithasrenewedthemedicaldramaforathirdseason.Season2oftheseries,ledbyMattCzuchryandEmilyVanCamp,currentlyairsMondaysat8/7c.(Checkoutourrenewalscorecardtogetthestatusonyourotherfavoriteshows.)“AmyHoldenJones,ToddHarthanandtheteambehindTheResidentcontinuetoshowcasetheirbrilliantstorytelling,revealingboththetriumphsandtragedywithinthemedicalworld,”MichaelThorn,FoxEntertainmententertainmentpresident,saidviastatement.“MattCzuchry,EmilyVanCampandBruceGreenwood,alongwiththestellarcast,havedevelopedrichandcompellingcharactersthroughtheirheartfeltperformances.”
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“DiaryofaWimpyKid:RodrickRules,”isanall-newanimatedmoviebasedonthesecondbookinJeffKinney’swildlypopularbookseries.Theoriginalsongfromthefilm,“CanYouSmellUsNow,”writtenandproducedbyJonLevine,withlyricsbyJeffKinney,andperformedbyJimmyTatro,isalsoavailable.Besuretocheckeverythingout,anddon’tforgettowatch“DiaryofaWimpyKid:RodrickRules”onDecember2,2022,whenitpremieresonDisney+.Theriotousanticsofangst-ridden,disaster-pronemiddleschoolstudentGregHeffleycontinuein“DiaryofaWimpyKid:RodrickRules,”focusingthistimearoundonhiscomplicatedrelationshipwitholderbrotherRodrick.Aspikey-hairedhighschoolstudent,Rodrickislazyandundisciplinedandspendswaytoomuchtimepracticingwithhisrockband,LödedDiper.WhilehelovestotormentGreg,heultimatelyhasadeepaffectionforhisyoungerbrother.DirectedbyLukeCormican(“TeenTitansGo!)andwrittenandproducedbyJeffKinney,“DiaryofaWimpyKid:RodrickRules”featuresthevoicesofBradyNoon(“TheMightyDucks:GameChangers”),EthanWilliamChildress(“mixed-ish”),EdwardAsner(“Up”),ChrisDiamantopoulos(“SiliconValley”),EricaCerra(“PowerRangers”),andHunterDillon(“Deadpool2”).“DiaryofaWimpyKid:RodrickRules”featurestheoriginalsong,“CanYouSmellUsNow,”writtenandproducedbyJonLevine,withlyricsbyJeffKinney,andperformedbyJimmyTatro.
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雅什·乔普拉
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每个人在某个地方总有一个属于你的人存在。“我心狂野”就是让这种信念实现的故事。它讲述的是拉忽尔，一个不相信爱情的人的故事。拉忽尔不太理解人们是如何能够在一起相处一生，难道真的有人是属于他的吗？这又是关于坡佳，一个相信一定有人是属于她的，而且她一定能遇上那个人的女孩的故事。这还是关于妮莎，一个认为爱情就是友谊，终有一天她的梦想会实现的故事。这部电影还有出色的音乐献给那些有梦想而充满热情的人们。他们的梦想能实现吗？他们能找到他们的真爱吗？影片将让我们相信每个人在某个地方总有一个属于你的人存在。 Dil to pagal hai is a fantastic film. Its my all time favorite.I love to watch Yash Chopra films and among them its the best one. Since the year it released i.e 1997 no other film has touched me like this.My extreme love for DTPH is because of following reasons.. -Its tag line touches me i.e someone somewhere...is made for you. -Its story line and Yash Chopra's perfection as a director. -Its superb music by Uttam Singh and above all LATA MANGESHKAR's melodious duets with Udit Narayan.I love its songs; and in them, Lataji's voice (even more than old songs of Lataji) -Uttam singh's background instruments rock me whenever i listen to the numbers. -Shahrukh Khan's first performance in which he didnot deliver dialogs in the way like he earlier used to.He was very serious and his acting was quite,calm and mature.For the same reason he got several awards for this film. -Madhuri's performance was great and so was of Karisma.Both got awards and Karisma also got her first National Award. -I love its screenplay specially in the shots having an acting stage within the film.(See its climax to confirm what i said.) MUST SEE IT AFTER READING MY COMMENTS IF YOU ARE NOT SATISFIED WITH ME. I AM SURE YOU WILL ALSO BECOME A DTPH FAN LIKE ME.
