Pando

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杜尚反艺术至上
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Thefilmexploresthelife,philosophyandimpactofoneofthemostinfluentialearly20thcenturymodernists,MarcelDuchamp.ThefilmbreaksdownDuchampsideasandappliesthemtobothhistoricaleventsandthemodernistexplosionthatblanketedtheearly20thcentury.ArtofthePossibleisntsimplyabiopic;rather,thefilmshowshowDuchampsideaschangedthepublicconsciousness,andourunderstandingofaesthetics,art,andculture.ThefilmhighlightsthesingularimpactofDuchampsphilosophyonart,and,moreimportantly,examineshowDuchampsrevolutionaryideasfromtheearly20thcenturyhaveshapedthe21stcenturyandmodernday.
难忘之夜/不小心变成黑帮老大的男人
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讲述了一个黑帮老大遇到一个伤心男孩的故事金姆需要有人拥抱他的身体一个晚上。这是唯一一个知道你真正需求是什么的夜晚。这也是唯一一个让黑帮老大“卡莫尔”不想让金姆属于任何人的夜晚。金姆,一个25岁的上班族,已经和他的学长戴一见钟情很久了。为了忘掉他继续生活,他决定和一个在酒吧遇到的陌生人发生一夜情。他不知道的是,这个陌生人会开始喜欢他到无可挽回的地步。卡莫尔,一个30岁的黑道,在床上有一些特殊的需求,所以他不断地更换伴侣,但没有人能够满足他。一天晚上,他遇到了金姆,金姆完美地满足了他的需求。就在这时,卡莫尔决定把这个人变成自己的,并开始追求他。~~改编自网络小说《黑手党的坏爱情》(ร้ายนักนะ...รักของมาเฟีย!!)Kimneededsomeonetoembracehisbodyforjustonenight.It'stheonlynighttoknowwhatyourtrueneedsare.Anditwastheonlynightthatmadethemafia"Kamol"notwanttoletKimbelongtoanyoneKim,a25yearoldofficeworker,hasbeeninonesidedlovewithhissenior,Day,foraalongtime.Toforgetabouthimandmoveon,hedecidestohaveonenightstandwitharandomstrangerhemetatthebar.Whathedidn'tknowwasthestrangerwouldstartlikinghimtothepointofnoreturn.Kamol,a30yearoldmafia,hassomespecialneedsinbedandsohekeepsswitchingpartnersbutnooneisabletosatisfyhim.OnenighthemeetsKim,whoperfectlymeetshisneeds.Rightatthatmoment,Kamoldecidedtomakethemanhisownandstartspursuinghim.~~Adaptedfromthewebnovel"Mafia'sBadLove"(ร้ายนักนะ...รักของมาเฟีย!!)byYoeNim(ยอนิม).EditTranslation
28个月亮
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Whenherfiancéactsstrangelyuponreceivingamysteriousinvitation,afloristsetsouttofindoutthetruthbehindthetinyscrapofpaper.
亿万图谋
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TwoGermancomputerpioneerswhogotocourtinthefightagainstanapparentlyinvincibleopponentinordertoberecognizedastheinventoroftheGoogleEarthalgorithm.Theseriesilluminatesboththehackersceneinpost-reunificationBerlininthe90s,aswellastheidealisticworldofearlySiliconValleyandtheharshrealityofamulti-milliondollarprocess.
战地神探第七季
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Episode1-TheEternityRingMI5suspectsBritishatomicresearchhasbeeninfiltrated,andaskFoyletoinvestigatewhetheraRussianspynetworkcouldbeatworkintheheartofLondon.Episode2-TheCageFoyle’sinvestigationintothedeathofanamelessRussianleadstoamysteriousmilitaryfacilityandthediscoverythatthevictimwasaspywithdangerousconnectionstoBritishintelligence.Episode3-SunflowerProfessorPeterVanHarengivesalecturetoagroupofstudentsontheself-portraitsoftheartistRembrandtandcausesayoungmantosufferafrighteningflashbackwhichendsintragedy.
藩篱之内
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  Abandoned by her fiancé, an educated negro woman with a shocking past dedicates herself to helping a near bankrupt school for impoverished negro youths. Within Our Gates was created in response to The Birth of a Nation which depicted southern whites in need of the Ku Klux Klan to protect them from blood thirsty blacks. Micheaux shows the reality of Dixie racism in 1920, where a black man could be lynched for being in the wrong place at the wrong time.
我们是谁:美国种族主义编年史
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ACLUlawyerJefferyRobinson’sshatteringtalkonthehistoryofU.S.anti-Blackracismisinterwovenwitharchivalfootage,interviewsandRobinson’sstory,exploringthelegacyofwhitesupremacyandourcollectiveresponsibilitytoovercomeit.
应召女郎的秘密日记第二季
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本剧(SecretDiaryofaCallGirl)改编自一名自称“白日美人”(BelledeJour)的性工作者的博客“白日美人:一位伦敦应召女郎的日记”(BelledeJour:diaryofaLondoncallgirl),讲述了一名应召女郎两面生活:面对家人,她是Hannah(BilliePiper饰演),一个做着无聊甚至无人愿意提及的工作的法律秘书;面对各类客人时,她是Belle(BilliePiper饰演),或冷艳或妩媚或可人或羞赧的高级娼妓。
致命内幕
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  马克(布拉德·兰弗洛 Brad Renfro 饰)是一名11岁的少年,一日,年幼的他目睹了一个男人自杀的全过程,在死前,男人告诉了马克一个惊天秘密。受惊的马克随即接受了警方的盘问,但对于那个不能说的秘密,马克选择了守口如瓶。可即便如此,马克还是被和黑手党暗中勾结的联邦检察官福特里格(汤米·李·琼斯 Tommy Lee Jones 饰)给盯上了,后者向马克提出了控诉。  马克雇佣了精明的女律师洛芙(苏珊·萨兰登 Susan Sarandon 饰)为其辩护,在两人的联手之下,他们破获了福特里格的阴谋并得到了证据。可是福特里格并没有善罢甘休,而是暗中向马克发起了更为卑鄙的攻击。马克全家人的命运都握在了洛芙的手中,面对压倒性的权利,洛芙能够获得最终的胜利吗?
极度恐慌1983
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.  We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.  PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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