Fisch
搜索"Fisch" ，找到 以下影视作品
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克雷格·丹尼尔斯
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这里是“Dundermingtian6.comMifflin”纸业公司一家小小分公司的办公室，在头脑非常脱线的区域经理迈克尔（史蒂夫·卡瑞尔SteveCarell饰）领导下，一群办公室职员的生活每天充满古怪趣味。吉姆（约翰·卡拉辛斯基JohnKrasinski饰）是个诙谐、脑子灵活的恶作剧狂人，整天想出不同点子折腾坐对面的学究型同事杜维特（雷恩·威尔森RainnWilson饰），后者每每气恼不已，也在工作上暗自对吉姆使坏，还视他做升职最大竞争对手；吉姆的恶作剧搭档是前台女孩潘（珍娜·费舍JennaFischer饰），两人制造出无止境的欢笑，但潘已经有了未婚夫，吉姆对她动心也只能发乎情止乎礼。办公司里还有脾气古怪的大龄剩女安吉拉（AngelaKinsey饰）、深受迈克尔歧视的同性恋会计奥斯卡（OscarNu?ez饰）、拼命想融入大家都实习生瑞恩（B.J.Novak饰），无论大家性格合拍与否，彼此的共识都是，经理迈克尔是整间屋最大的极品……本剧是英国BBC情景喜剧《办公室》的美国版。
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迈克·米切尔
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其貌不扬的小人物米特·德斯·比格劳（罗伯·施奈德 Rob Schneider 饰）是一个鱼缸清洁工，因全裸上阵而被水族馆扫地出门的他，偶然得到一份去别墅清洁鱼缸的工作。别墅的主人安东尼·罗坎特（奥迪德·菲赫尔 Oded Fehr 饰）是一个风光无限的脱衣舞男，他生活优渥，身边美女如云，与米特猥琐不堪的境遇形成鲜明对比。 某天，安东尼要去瑞士三周，他希望米特留在别墅照顾他生病的鱼，同时还给米特定下诸多严厉的规则。当然，主人一走，米特便展开他宛如假日般的快乐生活。正所谓乐极生悲，米特给这幢豪华的别墅带来巨大的灾难。为了在安东尼回来之前将一切恢复原状，他不得不化身牛郎四处筹钱……
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In the Bezonians social club in North London, A group of down and outs scheme, plot and dream of becoming rich and breaking out of the monotony of their dreary and financially impotent lives.
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大卫·普莱斯
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由于成人尸体不断出现以及联系中断，盖特林小镇的诡异情形终于引起内布拉斯加州政府的关注。为了避免政府的追查，盖特林镇的孩子们全部转移至邻近的汉明福德小镇。 工作和家庭皆不如意的记者约翰?盖瑞特（Terence Knox 饰）带着儿子丹尼（Paul Scherrer 饰）来到盖特林追查真相。在小男孩米凯（Ryan Bollman 饰）的帮助下，父子二人找到一所房子落脚。与父亲矛盾重重的丹尼很快米凯成为好朋友，在米凯的引荐下，他又结识了玉米地中的孩子们，并受到深深的影响……
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由JohnKrasinski主演的Amazon剧《杰克·莱恩TomClancy’sJackRyan》第二季放出首预告，本季讲述JackRyan来到南美洲委内瑞拉丛林调查被偷运的武器，但在调查过程中主角发现了委内瑞拉总统正准备袭击美国，而他和同事得解决这场包括美英俄委四国在内的大阴谋。第二季其他演员包括WendellPierce、NoomiRapace、MichaelKelly、TomWlaschiha、JovanAdepo、JordiMolla、CristinaUma?a及FranciscoDenis。P.S：Amazon已续订《杰克·莱恩》第三季。
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Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
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AmericanfilmcriticElvisMitchell’skaleidoscopicdocumentarycreatesadefinitivenarrativeoftheBlackrevolutionin1970scinema,fromgenrefilmstosocialrealism—aworkofpainstakingscholarshipthat’salsothoroughlyentertaining,anessentialarchivaldocumentandtestamenttoaperiodofAmericanfilmhistoryunlikelytoberepeated.
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WhenKiraSlaterinheritsanAnimalReserveinSouthAfricashemustdecidewhethertosellitorleavethesafetyofherlifeinChicagoandriskeverythingforthisnewworldshehasfalleninlovem.77mi.ccwith.Seeingthechildrenfromtheschoolherunclebuiltandwitnessingthebeautyofanimalswalkingfreelyintheirnaturalhabitatwillconvinceherwhattherightchoiceis.
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Michael, a Danish gangster, takes his girlfriend, Sascha, and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing, and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority and creates a situation that cannot end well. In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions and expectations. First-time writer/director Isabella Eklöf has a dynamic visual touch and a flair for dark comedy and creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality and power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.
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德尼·科泰
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Invitéesenmaisonderepospourexplorerleurstroublessexuels,troisjeunesfemmesoccupentlesjoursetlesnuitsàapprivoiserleursdémonsintimes.Souslasupervisiontranquilled’unethérapeuteallemandeetd’untravailleursocialbienveillant,legroupetentedegarderunéquilibrefragile.PourlajeuneGeisha,lasombreLéonieetl’imprévisibleEugénie,ils’agit,pour26jours,d’éviterlescris,d’apprivoiserleschuchotementsdutempsprésentetdeconsidérerl’avenir.
