Loy
搜索"Loy" ，找到 以下影视作品
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年轻时，Orayanee曾辍学与大学同学的商业亲戚Whim结婚。她从那次婚姻中得到了两个女儿。年长的是佩克罗伊，一个像她母亲一样甜美温柔的女孩。年轻的是普立隆，他们的本性是坚韧和进取的。在她的整个婚姻生活中，她只照顾她的孩子和丈夫，因为他不让她做任何其他事情。然而，丈夫去世后，Orayanee突然发现自己被女儿们忽略了，继承了房子的Petchroi和接管了公司的Ployrung。事实上，每当女孩们需要建议时，她们总是心血来潮地叫她们的叔叔过来。甚至家仆也开始忽视奥拉扬尼。就在这个时候，奥拉亚尼的老朋友Phumek回到了她的生活中。与此同时，Petchroi发现自己对爱情失望了，因为她的男朋友欺骗了她，并使另一个女孩怀孕。然而，她需要一个男人的陪伴，因此塔查带着某种隐藏的目的出现在她的生活中。~改编自Wor的同名小说
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A large multinational company is shaken by the suicide of three employees. The company sends a directive, Sofia Cuevas, to conduct an internal investigation. She discovers an unhealthy work environment: a pathogenic form of management where the individual is relegated to a minor role and only priority is the bottom line. But, what are the real reasons that lead a man to suicide in his job?
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托拜厄斯·诺伊尔
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个性孤僻的私家侦探Aloys透过摄影机观察记录生活中一切，过着死板墨守成规的生活，有一天，他酒醉后醒来，发现摄影机与日积月累的录影带消失了，正在疑惑不解之时，他接到了神秘女人的电话威胁，要求他加一个游戏，随着游戏的进行，Aloys却渐渐爱上了电话对面的女人，同时也掉入另一场出人意料的心理游戏……
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乔舒亚·马斯顿
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保罗·吉亚玛提
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寇瑞·斯托尔
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玛姬·丝弗
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戴米恩·路易斯
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蔡斯·凯利
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小詹姆斯·希利
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Drew Allen
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Omar Ghonim
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Mark Hilton
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Randall Miles
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Ken Parrish
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BobbyAxelrodandChuckRhoadesseetheirviciousrivalryreignited,whilenewenemiesriseandtakeaim.SocialimpactpioneerMikePrinceposesatruethreattoAxe’sdominance,andChuckfeudswithaformidabledistrictattorney.TaylorMasonisforcedbacktoAxeCapital,whereTaylormustfighttoprotecttheiremployeesandtheirassets.WendyRhoadesreevaluatesherloya...
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Rectangular ring and two teams of fighters opposite each other. When the forces are over, the comrade is replaced by the one behind him... This is Sparta! A new spectacular kind of martial arts. Sparta for the former champion in fights without rules Nikolay is the only opportunity to return to the big sport and solve all the problems that fell on him three years ago: a fight for the honor of a friend and prison, betrayal of a lover and refusal of a coach to return to the team. Together with loyal friends, the athlete is ready to challenge the whole world, and his future life will be the stake in the battles.
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亨利·劳埃德-休斯
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罗伊斯·皮尔逊
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达茜·肖
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乔乔·马卡里
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麦凯尔·戴维
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希拉·阿蒂姆
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Mark Hugh-Williams
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哈里森·奥斯特菲尔德
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克拉克·彼得斯
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Grant Crookes
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安苏·卡比亚
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Colin Thompson
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马诺伊·阿南德
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Yui May Cheung
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丽莎·霍姬
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约翰·艾伦·罗伯茨
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亚历克斯·费恩斯
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奥利维亚·格兰特
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丹尼尔·弗恩
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Gareth Bennett-Ryan
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凯拉·查恩萨
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克雷格·康威
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Thaddea Graham
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由奥斯卡提名编剧TomBidwell创作，故事灵感来自柯南·道尔福尔摩斯系列小说中提及的贝克街小分队，他们是一群帮助福尔摩斯和华生破案的小孩。本剧背景为维多利亚时代的伦敦，讲述了一群问题少年被阴险的华生医生(RoycePierreson)和他的神秘拍档-福尔摩斯(Henry-LloydHughes)操控来破案。而当案件呈现出超自然迹象后，?非正规军」需要团结起来才可以拯救伦敦、彼此，甚至可能是拯救整个世界。
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英国一座偏僻宁静的小镇，一望无尽的牧场之上，居住着凯茜（凯利斯顿·韦勒英KierstonWareing饰）以及他的两个女儿汉娜（SkyeLourie饰）、艾米（MaisieLloyd饰）。凯茜的丈夫迪安下落不明，多年来她凭着一己之力支撑着农场，养育两个女儿。时至今日，市场低迷的现状以及日渐叛逆的女儿让她渐渐感到力不从心。与此同时，邻居卡斯滕（TerryStone饰）心存不善，时刻想收购她的农场。正当凯茜（GeorgiaGroome饰）疲惫不堪之际，自称迪安好友的亚丁（文森特·里根VincentRegan饰）来到农场帮忙。压抑、恐怖、阴森，种种不安环绕农场周围，令这里每一个人都陷入疯狂之中……本片荣获2012年葡萄牙国际奇幻电影节最佳导演奖。
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豪梅·巴拉格罗
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Whengo-godancerLucíanicksafortuneindesignerdrugsfromhermafiaemployers,themobsters’doggedpursuitforceshertoseeksanctuarywithherestrangedsisterRocíoandnieceAlbain“TheVenus,”adecrepitapartmentcomplexontheoutskirtsofMadrid.Asterrible,rotten,no-goodluckwouldhaveit,LucíasoonfindsherselfsoleguardiantolittleAlbaafterRocíosud...
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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杰姆·耶尔马兹
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Ayzek, who has been a waiter on ferries for years, becomes unemployed due to the pandemic and eventually finds a job at a hotel on the night shift. However, who knows what will happen to Ayzek on his first night.
