Sigur
搜索"Sigur" ，找到 以下影视作品
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加林·努格罗
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Awomanintheframe’sforegroundwatcheseventsunfoldinginaroom.Suddenly,hithertohiddenbyherfigure,herdoubleentersthescene,andcatastropheensues.Isthisatrickyhorror-mystery-thrillerbyDarioArgentoorBrianDePalma?No,itistheextraordinary,unexpectedgestureofIndonesianmasterGarinNugrohomarryinghispenchantforother-worldlyfantasywithmyriaddevicesofpopulargenre.ARotterdamregularoverthepasttwenty-sevenyears,Nugroho’simpressivebodyofworkspansfeatures,documentariesandshorts,amongtheseacclaimedOperaJawa,selectedforIFFR2007.
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‘How do you feel about intimate relations? Speak freely, don’t hold back.’ · ‘I think it’s the highest connection between two souls.’ Benny’s hair is as red as the fur of her devout father’s treasured calf – which he believes will bring salvation. But the 17-year-old feels as lonely and trapped as the calf in its enclosure. Benny’s mother died giving birth to her, and she grew up alone with her caring yet patriarchal father. He is a figure of authority and a mentor for many people in their Jerusalem religious community. Benny becomes increasingly critical of her father’s religious, utopian nationalism and then there’s Yael, the self-confident young woman who has set off a whirlwind of longing and emotions in her. Avigayil Koevary powerfully portrays the defiance and desire of a young woman in Tsivia Barkai Yacov’s debut feature film.
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Pals Danny and Frank spend the summer after high school working as spend as lifeguards while figuring out what their future.
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Heather, an outcast teenage goalie in a small northern town, falls for newcomer Jonny, an alluring but tormented figure skater. As their relationship deepens, Heather’s growing desires clash with her darkest secret, forcing her to control the animal within.
源自：https://festival.sundance.org/program/film/638a1744d406b2212cf2ca5e
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Asuburbanwomanfightstobebelievedasshefindsherselfstalkedbyathreateningfigurewhoreturnstoherhousenightafternight.Whenshecan’tgethelpfromthosearoundher,sheisforcedtotakemattersintoherownhands.
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The nightmare was about a demonic possession. A long time ago, there was an evil in a small town and it was jealous of the girl and would never let her go, since the devil loved the girl. One night, the evil raped the girl and she became pregnant. After months the girl could not hide her baby, her father figured her secret out and clapped the girl in irons and locked her room door. But the evil put the gun to her father' temple and saved the girl. The father had a stroke and had been sleeping on the bed for three months and died. Time went on and the girl brought a child into the world. Naturally, people who were living in the village heard the story and they did not want to see neither the girl nor the baby since when the baby was born, plants dried in the field, fishes lost in the lake and people had prayed to the god for rain, but nothing changed in the village. People got so angry, dug a hole in front of the fountain, put her into the hole and threw stones at her face. The girl died soon after. The evil went off the deep end, took a revenge of the village and killed everyone except two sisters because the evil wanted them to take care of its baby...
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Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
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「泰国片子「 屁平易近报国 (ตุ๊ดตู่กู้ชาติ Last Heros) 」中字预报视频 」FILM GURU出品,众笑剧艺人携手出演泰国片子「 屁平易近报国 (ตุ๊ดตู่กู้ชาติ Last Heros) 」行将于5月24日天下公映 ,m.ysgou.cc Film Rattapoom在片中友谊出演。大敌以后,匹夫有责,就算是山野乡人也该拿起铁骑冲上火线杀敌卫国。：
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AsonaspirestofollowinhisfamousMMAfather’sfootsteps,butalonghisjourneymustfigureouthowtobreaktheabusivecycle,ifpossible,thathisfatherhascontinued.
