Tope
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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It’sofficial:TheConnerswillbegettingapropergoodbye.TheRoseannefollow-uphasbeenrenewedforseventhandfinalseason.AsDeadlinereportedexclusivelylastweek,theorderisbelievedtobeforsixepisodes,withthemaincast,includingJohnGoodman,LaurieMetcalf,SaraGilbertandLecyGoranson,expectedtoreturn.Therenewaltooklongertofinalizebecausedat...
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TroubledartistCassiesufferswithreoccurringvisionsofmurder,whichshecopeswithbycommittingtheviolentactstocanvas.Butwhenhervisionsbegintomanifestinreallife,herfriendsandfamilybegintoturnupdead.Realizinghervisionsactuallyprovideadirectlinktothekiller,Cassiemustnowconfrontherownpastinordertostopthemurdersandsaveherself.
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Hanna
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PrincessCharmingisaGermanrealitydatingshowthatpremieredonMay25,2021,streamingonpremiumsectorofRTL+andbeganairingonOctober29,2021,ontelevisiononVOX.ItisstreamingonRTL+,operatedbytheRTLmediagroup,inGerman.
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纳塔彭·蒙空萨瓦
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纳拉维特·勒拉格苏
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普威·丹萨优
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苏帕·桑沃拉翁
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彭萨帕克·安多姆珀驰
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塔纳朋·苏库潘塔纳汕
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Bonnie
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Pussarasorn
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Bosuwan
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提拉得·威提帕尼
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当一个痴迷于肥皂剧的黑手党老大寻求摄影师的帮助时，火花四溅，引发了一场意想不到的浪漫，并为一场盛大而惊险的冒险奠定了基础。Whenasoapopera-obsessedmafiabossenliststhehelpofaphotographer,sparksfly,leadingtoanunexpectedromanceandsettingthestageforagrandandthrillingadventure.
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蛋壳》是一部 1969 年美国独立 实验电影，由托比·胡珀 (Tobe Hooper)执导，这是他的导演处女作。胡珀与金·汉克尔共同创作了这部电影，同时也担任了电影的制片人之一。影片以一群年轻嬉皮士为中心，他们慢慢意识到地下室里有一个超凡脱俗的存在。简介：《蛋壳》是导演托比·霍珀于1969年执导的一部剧情片。影片讲述了一群住在德克萨斯州奥斯汀的年轻人的生活，他们在一所房子里住在一起，试图在时代变革中找到自己的方向和意义。他们不断探索、思考和质问，尝试追求自由和幸福。电影以一种独特的、梦幻般的方式呈现了这一主题。影片采用了各种各样的实验性技巧，如跟踪镜头、特殊效果、意识流、音乐和幻觉等，营造出一种神秘、诗意和超现实的氛围。影片没有一个明确的故事线索，而是《蛋壳》是导演托比·霍珀于1969年执导的一部剧情片。影片讲述了一群住在德克萨斯州奥斯汀的年轻人的生活，他们在一所房子里住在一起，试图在时代变革中找到自己的方向和意义。他们不断探索、思考和质问，尝试追求自由和幸福。电影以一种独特的、梦幻般的方式呈现了这一主题。影片采用了各种各样的实验性技巧，如跟踪镜头、特殊效果、意识流、音乐和幻觉等，营造出一种神秘、诗意和超现实的氛围。影片没有一个明确的故事线索，而是通过一系列的场景、角色和情境，揭示了年轻人面临的问题和挑战。影片的主题深刻、触动人心，反映了当时美国年轻人的精神状态和文化价值观。影片的制作和表现也是非常出色的，托比·霍珀巧妙地运用了各种实验性手法，塑造了一个充满活力和创造力的年轻人社群。《蛋壳》被认为是托比·霍珀最具实验性和独特性的作品之一，也是美国独立电影运动的重要代表之一。
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Logic
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ThecrimecomedyfilmintroducesustoCooper,theownerofarecordstorecalledParadiseRecords.Cooperworkswithhisfriendstomakehisstoreahavenformusiclovers.However,hisworldbeginstocrumblewhenthethreatofforeclosureloomsoverhisbelovedrecordstore,andhisfriendsfaceunemployment.Tomakemattersworse,hecomesintoconflictwithgreedybusiness...
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Inasmallvillageontopofthemountains,MaiaZenasi,arowdyandsolitary16-year-oldtomboy,istheonlygirlonthelocalhockeyteamandherlife,onandofftheice-rink,istough.WhenVanessa,thebeautifulanddazedgirlfriendoftheteamcaptain,runsawayfromhomeandhideinMaia’sfamilylodge,Maiaopensupforthefirsttimesomeoneofherpeers:thedaystheyspendtogetherwillleadthemtobreakawayfromtherolesthatthecommunityforcedthemtoplay.
