Rainer
搜索"Rainer" ，找到 以下影视作品
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因婚姻决裂,潦倒的小说家约翰·詹姆斯（凯文·科斯特纳 Kevin Costner 饰）带着女儿露易莎（伊万娜·巴克罗 Ivana Baquero 饰）跟儿子山姆（加特林·格里菲斯 Gattlin Griffith 饰）搬到了南卡罗莱纳州摩西小镇的一幢乡下别墅,预备开展全新的生涯。怙恃掉败的婚姻给孩子们形成伟大的影响,露易莎敏感反叛,山姆胆怯外向,约翰生机乡下的淡泊生涯可以弥合孩子们心中的创痕。 但是他们的安定并未连续太久,先是家中的宠物猫被残暴杀逝世,之后露易莎偶尔迷上了家四周的一个奇异的印地安古坟,继而开端涌现独特的举止。约翰有意中得悉,当下产生的所有都可能跟屋子的前主人一家有关……
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约翰·罗宾森
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埃里克·罗伯茨
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希瑟·玛塔拉佐
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达尔莱尼·凯茨
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里奥·菲茨帕特里克
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奥克斯·费格雷
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MikeSutton
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HannahKurczeski
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MichaelFegley
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PrestonEdwards
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DavidLeeDennyJr.
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JacinthHeadlam
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MichaelEverettJohnson
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ValerieBittner
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MartinEwens
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MaxwellScott
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David
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Lee
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Denny
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Timesaretough,listener-shipisdownandClarenceLindeweilerneedstocomeupwithaplantosavehisstrugglingalternativerockradiostation...
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Everyone knows Sue, the majestic Tyrannosaurus Rex skeleton that is the pride of Chicago’s Field Museum of Natural History. Less known is the bizarre seven-year tale of intrigue, perfidy, double-dealing, and government intervention that resulted in the dinosaur-hunting discoverers, members of South Dakota’s Black Hills Institute, being divested of their find, cheated of recognition, and even sent to prison. Assembly of the gigantic fossil is something of a metaphor for filmmaker Miller’s meticulous reconstruction of a story that includes home movie footage of Sue’s discovery and recovery, her 1992 - kidnapping by heavily armed FBI agents, a rip-roaring courtroom drama as her ownership falls into dispute, and her eventual sale at auction for a heart-stopping sum.
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阿图·阿拉里
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1944.LeJaponestsurlepointdeperdrelaguerre.Unenouvellegénérationd’officiersderenseignementsestforméeafind’entraverl’avancedel’ennemiaveccommeconsignedenejamaisserendre.Parmicesjeunesgens,unhomme,sec,droitetdéterminé,estenvoyésuruneîledesPhilippines,sonnom:HirooOnoda.Ila22ans.Pourl’Empirelaguerredureraencoreuneannée,pourOnodaelles›achèveradixmillejoursplustard.
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Using breakthrough flesh-regeneration technology, a biotech firm creates a set of living dinosaurs. But when the creatures escape their museum exhibit and terrorize Los Angeles, a former firefighter must rescue his teenage daughter from the chaos brought on by the Age of Dinosaurs.
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丽贝卡·亨特
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丽贝卡·亨特
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First-timefeaturefilmmakerRebeca“Beba”Hunttundertakesanunflinchingexplorationofherownidentityintheremarkablecoming-of-agedocumentary/cinematicmemoirBEBA.ReflectingonherchildhoodandadolescenceinNewYorkCityasthedaughterofaDominicanfatherandVenezuelanmother,Hunttinvestigatesthehistorical,societal,andgenerationaltraumashe’sinheritedandpondershowthoseancientwoundshaveshapedher,whilesimultaneouslyconsideringtheuniversaltruthsthatconnectusallashumans.ThroughoutBEBA,Hunttsearchesforawaytoforgeherowncreativepathamidalandscapeofintenseracialandpoliticalunrest.Poetic,powerfulandprofound,BEBAisacourageous,deeplyhumanself-portraitofanAfro-Latinaartisthungryforknowledgeandyearningforconnection.
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罗伯特·泽米吉斯
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在美国洛杉矶有一个专供卡通人物居住的“图恩城”，卡通明星兔子罗杰（CharlesFleischer配音）怀疑妻子杰西卡（凯瑟琳·特纳KathleenTurner配音）有外遇，拍戏时常常走神，遭到他的搭档娃娃哈曼的奚落。卡通电影公司老板马隆便雇佣私人侦探埃迪（鲍勃·霍斯金斯BobHoskins配音）去查明情况，并拍下杰西卡偷情的照片，好让罗杰下定决心，斩断情缘，专心投入卡通系列片的拍摄。埃迪因自己的弟弟特迪不久前被“图恩城”的卡通角色暗害，也急于早日追出凶手，便慨然将此事承诺下来。而随着调查的深入，事情并不像埃迪想的那么简单，其中还另有奸情，慨然将此事承诺下来，就不能轻易放弃，埃迪能否找到案件背后的真相呢……本片根据加里·沃尔夫的同名畅销小说改编，同时是一部真人和动画相结合的影片。
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
