Lallu
搜索"Lallu" ，找到 以下影视作品
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马蒂娜·普鲁拉
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Inken(Kya-CelinaBarucki),Vicky(JuliaNovohradsky)undLena(NhungHong)sindbesteFreundinnenundhabeneingemeinsamesZiel:denerstenOrgasmus.DieselbstbewussteInkenversuchtdabei,ihrerRivalinCheyenne(ZoëPastelleHolthuizen)nachzueifernundwartetungeduldigaufdenHöhepunktmitihremFreundTim(JasonKlare).LenahingegensammeltdenMut,ihrenSchwarmNick(JamieLeeWilliams)anzusprechen,währendVickyeinenkleinenUmwegmachtundstattErfüllungzunächsteinenVaginalpilzeinfängt.NebendiesenAbenteuernwirddieFreundschaftderdreidurchGeheimnisseaufdieProbegestellt,InkensbesterFreundFlin(YoranLeicher)willnichtlängerinderFriendzonefeststecken,undihrVaterGero(HenningBaum)starteteigeneromantischeEskapaden.AlsdannnocheinunerwartetesErlebnismiteinemFahrradfürInkenallesverändert,nehmendieEreignisseihrenLauf.
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Ayoungjuniorhockeyplayerslifeisshatteredbyanin-gameactofviolence.Inaninstanthislifeisabruptlyturnedupsidedown;tornfromthefraternityoftheteamandthecoincidingpositionofprominence,heiscastasapariahandostracizedfromthecommunity.Ashestruggleswiththerepercussionsoftheevent,desperatetofindameansofreconciliationandasenseofidentity,hispersonaljourneyendsupilluminatingtroublingsystemicissuesaroundviolence.
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斯蒂芬.赫瑞克
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克利斯·科尔兹是一名办公用品销售员,他的梦想是成为一名摇滚歌星。红极一时的SteelDragon乐队是他向往、追逐的目标。克利斯和朋友们组成一支业余乐队BloodPollution，竭力模仿SteelDragon乐队主唱鲍比·毕尔斯的，他的执着与痴迷与日俱增，为此他经常和乐队成员发生争吵；队友演奏时，乐曲稍有出入，他便大打出手。终于，大家再也无法忍受他那近乎偏执的热情。毕竟，他们不想一味模仿、照搬，他们需要创新。克利斯被逐出了乐队。与此同时，SteelDragon乐队正打算撤掉主唱鲍比·毕尔斯。正巧克利斯的两位歌迷同乡给SteelDragon乐队看了BloodPollution的演出录像，吉它手柯克·卡第看中了克立斯，决定约他面试。在女友艾米丽的协助下，克利斯大获全胜，以精湛的表演一举征服SteelDragon乐队成员。至此，克立斯成为SteelDragon乐队的主唱，为重金属时代写下辉煌的一笔。
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尼古拉斯·佩雷达
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AcclaimedMexican-CanadianauteurNicolásPeredareturnstotheFestivalwithMinotaur,apendanttohis2009featureJuntos.ShotintheMexicoCityapartmentofPereda'ssignatureactorGabinoRodríguez,Minotaurisanincandescentchamberpiecethatobservesthreethirtysomethings(Rodríguez,LuisaPardoandFranciscoBarreiro)astheysleep,dream,read,andreceivevisitors(includingthehousekeeperwhotakescareofthem)intheircommunalspace.Alovelyandlethargicspelliscastasanambiguous,Marienbad-likelovetriangleemergesamongthetrio,conveyedthroughliterature(booksfunctionastelepathictransmittersanddefinersofrelationships),choreography,andtheacutephysicalpresenceofthethreeleads.ExtendingPereda'srecurringinterestsinclass,socialstructureandfamilyrelationsinMexicansocietyinitswraithlikefantasyofaleisureclassthatisquiteliterallysustainedinitsnarcolepticexistencebytheministrationsofthedomestichelp,MinotaurevokesthefilmsofTsaiMing-lianginitsdistendednaturalism,ritualisticsolitude,andcreationofacloisteredworldsuffusedwithlonging.ThesurrealauraofMinotaurseepsbeyondtheconfinesofthetrio'sapartmentintoastrange"nightwithoutdistance"inLoisPatiño'shallucinatoryportraitofbordersmugglingintheGerêsMountainsbetweenPortugalandGalicia.Castingrealtownsfolk,someofwhomweresmugglersintheiryouth,PatiñoplacestheirstifflyStraubianpresenceswithincross-processed,multilayeredtableauxofrocks,river,andtrees—anever-indeterminateplacethathasimbibedandbornewitnesstoinnumerable,desperateactsofsurvival.Conjuringaninstantinthememoryofalandscapefilledwithghosts,Nightwithoutdistanceextractsspellbindingfantasyfromthereal.
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Heavenisnowhappilymarriedandreadytosettlebackinherhometown.ButafteratriptoFarthinggaleManor,Heavenispersuadedtostay.LuredbyhergrandfathertoliveamidstthewealthyandprivilegedHeavenseemstohaveitalluntiltheghostsofherpastriseuponcemore,threateningherpreciousnewlife.
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TheSnailAndTheWhalefollowstheamazingjourneyofatinysnailwholongstoseetheworldandmanagestohitcharideonthetailofahugehumpbackwhale.Thestoryisajoyous,empoweringtaleaboutthenaturalwondersoftheearthanddiscoveringthathoweversmallyouare,youcanmakeadifference.Thishalfhouradaptationisabeautifulaccountofanunlikelyfriendship,andisvoicedbystellarBritishactingtalent,RobBrydonasthewhale,SallyHawkinsasthesnail,CariadLloydastheteacherandDameDianaRiggasthenarrator.Writtenin2003byJuliaDonaldsonandillustratedbyAxelScheffler,creatorsofthemodernclassicTheGruffalo,thismarkstheseventhBBCOneadaptationbyMagicLightPicturesofaDonaldson/Schefflerchildren’sbook.TheSnailAndTheWhaleisaMagicLightPicturesproduction,acquiredbyCharlotteMooreandTommyBulfinforBBCOne.TheproducersareMichaelRoseandMartinPopeofMagicLightPicturesanddirectorsareMaxLangandDanielSnaddon.
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TaurusCity,TheUnitedStatesofEurope,2023.Uly,adisillusionedsoldierriddledwithamnesia,returnshomefromawarintheMiddleEast,knowingonlythathemustdesperatelycombthecitytofindhisbelovedwife,Penelope.Fatefillsthisendlessnightwithaseriesofchancemeetings.WhetheritbethewealthyAlcyde,thebeastlycyclopsPopov,AeotheGyspy,orCicitheSorceress,goodorevilthattheybe,eachencounterfillsinamissingpieceofUlysmemory,sothathecanfinallyfacehispast.
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罗伯特·塔尔海姆
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TwoGermancomputerpioneerswhogotocourtinthefightagainstanapparentlyinvincibleopponentinordertoberecognizedastheinventoroftheGoogleEarthalgorithm.Theseriesilluminatesboththehackersceneinpost-reunificationBerlininthe90s,aswellastheidealisticworldofearlySiliconValleyandtheharshrealityofamulti-milliondollarprocess.
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Since 1977 - Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.‘This year will be my year, it has to be!’ Since 1977 - Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 - Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 - to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.
