Carole
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斯黛拉（莱奥娜•芭芭拉 Léora Barbara 饰）离开了巴黎某中学,此前她是坏先生,怙恃生机转学可以改革她。她很缄默,不善外交,偶然还会跟同窗打斗。斯黛拉的怙恃开酒吧,收容流落投止者,以是她更熟习调酒!打牌!舞蹈等。有一次等地铁,她结识了女孩格雷迪斯。固然两人家景差别,性情悬殊,然而却成为了友人。她们分离到对方的家里做客,分享对于的休会,进入相互交际圈。斯黛拉发明本人的怙恃处于仳离的边沿,母亲赫斯丽娜（卡罗勒•罗谢 Karole Rocher 饰）会与生疏人调情,而父亲塞热（班哲明•比欧雷 Benjamin Biolay 饰）老是酗酒玩枪。正在此时,酒吧的流落汉还试图对她性侵占。假期到了,她回到了南方的乡间,与老友人相会,但她好像变得愈加渺茫…… Benjamin Biolay获第三十四届恺撒奖最佳男主角提名
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Gray-haired furniture retailer Paul Winkelmann still has his dinner cooked and his laundry done by his mother. He spends his evenings playing Scrabble with Mama's friends and discussing the role of women in society in his carnival club. When he meets psychologist Margarete Tietze, "Pussi" finally begins to rebel against his dominant mother.
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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迈克尔·格雷西
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ThefilmfollowsPinkonherBeautifulTraumaWorldTour,asshebalancesbeingaperformerwithherroleasamother,wife,andboss.
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Setonthecuspofthe19thcenturyinDelhibeforetheBritishruledinthatregion,thedramadepictsthefortunesoftheresidentsofBeechamHouse,animposingmansionsurroundedbyacresofexoticwoodsandpristinelawns.TomBateman(VanityFair,JekyllandHyde)takestheroleofenigmatic,soulfulJohnBeecham,ahandsomeformersoldierwhohaspurchasedthemagnifice...
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ITV’ssixpartfactualdrama,WhiteHouseFarm,producedbyNewPicturesrevolvesaroundonefatefulnightinAugust1985whenfivemembersofthesamefamilyweremurderedatanEssexfarmhouse;SheilaCaffell,hertwinsix-year-oldsons,DanielandNicholas,andherparents,NevillandJuneBamber.TheserieswillseektoprovidefreshinsightintothisfamilytragedyandthecontestedaccountsoftheeventsthattookplaceatWhiteHouseFarm.Basedonextensiveresearch,interviewsandpublishedaccountsincluding,‘TheMurdersatWhiteHouseFarm’byCarolAnnLeewithadditionalmaterialfrom‘InSearchofTheRainbow’sEnd’byColinCaffell,husbandofSheilaandfathertoDanielandNicholasCaffell.EssexPoliceinitiallybelievedthatSheila,whohadmentalhealthproblems,hadmurderedherownfamilybeforeturningthegunonherself.ButDetectiveSergeantStanJoneshaddoubtsaboutthemurder-suicidetheory,andaboutSheila’sbrotherJeremyBamber,whofirstcalledthepolicetothefarm.EventuallyitwasJeremyBamberwhowaschargedandconvictedofthemurdersofhisownparents,sisterandnephews.Bamberiscurrentlyservinglifeimprisonmentwithoutthepossibilityofparole.HeisoneofthefewprisonersintheUKsubjecttoawhole-lifeorder.Bamberstillmaintainshisinnocence.
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A graduate of the Offenbach College of Design, Piotr J. Lewandowski has made his directorial debut with JONATHAN (working-title) based on an award-winning screenplay. The moving drama about family secrets and the obstacles to achieving one’s own happiness features Jannis Niew?hner, one of this year’s European Shooting Stars, in the title role of the 24-year-old Jonathan. The young man is caring unstintingly for his terminally-ill father Burghardt, but then sees his life in a new light after falling in love with Anka, who has come to nurse his father. However, the story takes another twist when Ron, Burghardt’s long-lost friend from his youth, re-appears — and a well-kept family secret is uncovered....
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In a cold and remote landscape, two strangers struggle to repair their broken pasts. A young man is on parole after serving time for attempting to murder the man who killed his girlfriend in a hit and run. A woman is released from a psychiatric facility far from her homeland. These two damaged strangers cross paths in the mountains in winter and fall into a complex intimate relationship, putting to the test their capacity to trust and heal.
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Together with her father, a 17-year-old girl takes care of her mentally and physically severely disabled sister. This is becoming increasingly exhausting, as she has to sacrifice her own life and dreams. Emotions get out of control and love may easily turn into hate. How to live such a life? Is it even possible to find a compromise here? A masterful film which brings the experiences and choices of those who are forced to be in such a situation frightfully close, doing so very realistically, without pathos. This can only be done with thorough knowledge of the topic. Director Margaux Bonhomme herself has grown up in a family with a disabled person – she has taken care of her own sister. She has carried this story with her for years and has now written it with the blood of her own heart. The lead actors of the film, Diane Rouxel and Jeanne Cohendy, have just shared the Best Actress Award at the Saint-Jean-de-Luz Film Festival in France. And this is how they should be regarded – as an ensemble. Cohendy is in no respect weaker than Daniel Day-Lewis and Leonardo DiCaprio who have given us disabled person roles worthy of an Oscar or an Oscar nomination. Tiit Tuumalu
