Carole
搜索"Carole" ，找到 以下影视作品
导演：
主演：
剧情：
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
导演：
主演：
剧情：
Alice and Niklas are happy, they lack nothing - but a child. After several failed invitros, they go on a holiday to Sardinia to leave their wish for a child behind. Right there, however, everything they tried to repress resurfaces. A cheerful Tyrolean family moves directly into the neighboring house and seems to have everything that Alice and Niklas lack in life. An unforeseen incident changes their view on life, in which the most natural thing in the world does not avail.
剧情：
Mistakenlybelievingthathisroleistoservejustice(“NoWill,aBarrister’sjobistowin”),Willmustnavigatehiswaythroughacriminaljusticesystemseeminglydesignedtobeasopaqueandconfusingaspossible.Whilealsodealingwithhisfellowpupils,eachofthemafterthesamesinglejobattheendoftheirtrainingandmorethanhappytostabeachotherinthebacktogetit.Canhesucceedandholdontohisprinciples?Orwillthesystemclaimanothervictim?
剧情：
CAROLE&TUESDAY动画全集是由渡边信一郎担任总监督、堀元宣担任监督、Bones制作的原创电视动画作品，于2019年4月10日播出。故事讲述了距离人类移居到新的基地火星已经过了50年。这个时代中大多数的文化均有AI创造，人类只需要享受即可。有一位女孩。在首都阿尔巴市努力生活，在工作之余的空闲时间努力成为一名音乐家。她总觉得缺少些什么。她的名字是Carole。有一位女孩。出生在赫舍尔市的富裕家庭，她的梦想是成为一名音乐家，但是周围却没有人能够理解她的想法。她觉得自己是全世界最孤独的人。她的名字是Tuesday.一个机遇促使两人相遇。她们希望歌唱。她们希望放声。如果是两个人一起的话，她们就觉得有机会能做到。她们也许只会掀起微小波澜。但这微小的波澜却可能会化作巨浪..
导演：
主演：
/
比尔·杜克
剧情：
Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
主演：
/
彦斯·阿尔比努斯
/
西蒙·本尼杰格
/
米凯尔·比克耶
/
米克尔·福尔斯加德
/
Svend
/
Hardenberg
/
莫滕·基尔斯果
/
西瑟·巴比特·科努德森
/
Lars
/
Knutzon
/
Angunnguaq
/
Larsen
/
索伦·莫灵
/
拉斯·米克尔森
/
马格努斯·米兰
/
彼得·米金特
/
Laura
/
Allen
/
Müller
/
西涅·埃格霍尔姆·奥尔森
/
Nivi
/
Pedersen
/
达伦·佩蒂
/
厄兹勒姆·萨格拉马克
剧情：
BirgitteNyborg,herstaffandthemediataskedwithcoveringher,thistimeinherroleasMinisterforForeignAffairs.
导演：
主演：
剧情：
MereDadKiMarutiisanoutrageouscomedysetagainstthebackdropofaloudPunjabiweddinginChandigarh,directedbyAshimaChibberstarringSaqibSaleemandRamKapoorinleadroles.Ittellsthestoryofaboywhosneakshisdad’sfancynewcarouttoimpressthecollegehottieplayedbyRheaChakraborty.AllhellbreaksloosewhenSameermanagestolosethecar!
导演：
剧情：
7 years ago, an aspiring actress Suyeon came to Seoul after losing touch with her family, and is barely surviving by playing minor roles and chores in a small troupe. Then one day, Suyeon receives a call from Tongyeong and goes down there.
导演：
主演：
/
罗伯特·施文特克
剧情：
Seneca’sfosterson,theEmperorNero,growswearyofhismentorandordershimtokillhimself.Senecacompliesbuthisdeathisagonisinglyslow.CueJohnMalkovichintheroleofthegreatphilosopherinuproar,railingagainsttyranny.Bliss!
