Rong
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中文名人间恩怨外文名FeeLingsintheLorld制片地区中国导演薛宜昌，邢丹类型剧情片长88分钟对白语言国语副导演：周丽华LihuaZhou编剧：王秉林BinglinWang摄影：刘跃飞YuefeiLiu发行制作：辽宁电影制片厂张雁YanZhang....杨老五凌元YuanLing....杨大妈刘斌BinLiu....杨小虎田庄ZhuangTian....杨小荣孙维亮WeilianSun....邵强韩颖YingHan....何大妈刘鹤HeLiu....何金凤刘仲元ZhongyuanLiu....刘老高王怀文HuaiwenWang....邵本农孙庆荣QingrongSun韩善续ShanxuHan郭家...
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Waking up after giving birth, Mayang gets the news unlike what she expects from Reza, her husband: their first baby has died. Both of them are experiencing tremendous depression. Mayang can not accept it. Everyone at the hospital is sure that she is hallucinating. She contacts the police to look for a bright spot in this strange case. Dr. Vera who helped her give birth, provides evidence: the document of her baby's death with several photographs of the incident. Mayang who chooses not to give up begins to be considered crazy by some people in the hospital, including her own husband. Moreover, she feels to be followed by a spirit.
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伊泰·塔尔
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ConcertpianistAnat’swatersbreakwhilesheisplaying.Devastatingly,hersonprovesdeaf.TheBabyMozartCDherfathergiveshercangostraightinthebin.However,Anatswilltoraiseapianogeniuswhowouldbefitherrespectedmusicalfamilyonlybecomesstronger,andshetakesdrasticmeasurestomakethishappen.Composedasamoralparablewithatouchofthriller,GodofthePianotellsthestoryofamother–playedwithgreatreservebyNaamaPreis–whoseobsessivebehaviourandmile-highexpectationsthreatentocrushherchild,justasshewasoncecrushed.Whilefocusingonmother-sonrelations,thefilmalsoexplorestheuncertainnatureofprodigy.Istalentinherited?Isthereasecrettensionorevenaninterplaybetweengiftednessandaverageness?And–mostimportantly–whatpricedoesaperson,beitadultorchild,payforbeinglabelledagenius?
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.IttellsthestoryofatelevisionreporterinMathurawhofallsinlovewithaheadstrongwoman.
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迈克尔·柯蒂兹
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Reporter Curt Devlin loves sob sister Ellen Garfield but believes women are bum newspapermen. When she learns the identity of a murdered arsonist, he calls it luck. When she goes after the murderer he gets enough evidence to have Maitland Coulter arrested. She finds a bunch of not guilty ballots and publishes the wrong story; he eavesdrops on the jury and gets the correct verdict. After being fired she gets a confession from the real killer and gets Coulter released.
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Set during the last days of the civil war that followed the Russian Revolution. The Crimea Peninsula is the last stronghold of the White Guard, and the Red Army is planning the final assault. The first story line of the movie follows two Red Army soldiers: unlikely friends Nekrasov and Karyakin. The second story line is about a White Guard officer Brusentsov who is devoted to Russia and his cause but sees it being destroyed day by day.
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Mina, Beth and Martona are locked in Talavera Bruce Penintentiary, in Rio de Janeiro. Mina is the brain of the group, Beth is the impulsive one, and Martona is pure muscle. Mina controls the jail by selling drugs and goods, smuggled in by her sister, Jullienne. Mina is doing time for social security fraud, in册ving Senator Franco. The Senator thinks that she could snitch him to the authorities. So, he decided to bribe the warden to put an end to her life. But she is strong and smart, and the attempts against her are in vain. Now, it started a game of challenges and fight over power inside the pen, which the strongest and smarter will succeed.
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MAMMA+MAMMAisthestoryoftwowomenwholoveeachotherandoftheirdesiretohaveachildtogether.KaroleandAlistilldontknowthattheenthusiasmofthisfirstattemptwillbefollowedbymanyvicissitudes,butwhenthedesirebecomesstrongerthanthepainandfatigue,miraclescanhappen.
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
